Chinese Literature - Browse

KU YUAN – Chairman Mao Chatting with Villagers

LO KUNG-LIU – The Militiamen in Action

TENG SHU – We Sign for Peace

HSIAO CHUAN-CHIU – The Alliance of Workers and Peasants

LIN CHING-SUN – We Have the Strength to Protect Our New Life

YU FEI-AN — The Return of Spring

CHIN CHENG & TUNG PO — Peasants Working for Industrialisation

YEN HAN — I Will Defend Peace

My Old Home p24

Forging the Sword p32

Red Lanterns p143

Let the Border Region People Unite as One! p143

To Chairman Mao p144

What Chairman Mao's Done for Us p144

What Makes Sister-in-law Smile p145

The Young Wife p146

Noon p153

Sacrifice to the Kitchen God p158

SHENG CHI-TSI — Jen the Fox Fairy p182

LI CHAO-WEI — The Dragon King’s Daughter p189

PAI HSING-CHIEN — Story of a Singsong Girl p198

LI KUNG-TSO — Governor of the Southern Tributary State p208

On a Northwest Highway p221

In Search of Black Gold p224

Fighters for Oil p228

SSUTU CHIAO — Sunset over Mt. Huashan

HSU PEI-HUNG — A Spring Shower on the River

KU HUNG-CHUNG — Evening Party (I)

KU HUNG-CHUNG — Evening Party (II)

YEH SHENG-TAO — Statue of an Ancient Hero p129

The Emperor's New Clothes p133

CHANG TIEN-YI — How Lo Wen-ying Became a Young Pioneer p139

They and We p146

CHI PAI-SHIH — Wind Blows from the Mountain

CHEN CHU-CHUNG — Four Goats

YEN HAN — Chinese People’s Volunteers Help the Koreans at Harvest Time

Wheat p188

The Old Shepherd p193

Fifteen Strings of Cash p71

The Jade Kuanyin p85

The Double Mirror p96

JOU SHIH — A Slave Mother p107

YEH TZU — Harvest p124

CHANG TIEN-YI — "New Life" p160

"Ashima," the Oldest Shani Ballad p181

"People’s Literature" p186

Conference of Translators — Classics for Everyman — Writing for the Children — One-act Plays — Paper-cuts — A Beautiful Folk Tale on the Screen — Four Great Men of World Art p193

TANG WEN-HSUAN — Going to Winter School with Her Mother-in-law

LI HUAN-MIN — Tibetan Women Weaving a Carpet

TWO PAINTINGS BY UNKNOWN ARTISTS OF THE SUNG DYNASTY

A Thrush Perched on Smartweed

Music from a Secluded Chamber

YANG TAI-YANG — Rafting on the Lichiang River

CHIN CHAO-YANG — The Election p146

LUI CHIA — New Life Beckons p150

KU KUNG — Stages on the Sikang-Tibet Plateau p154

"Defence of Yenan" p160

"I-Wen" — World Literature p165

The Controversy over the "Dream of the Red Chamber" — China Welcomes Soviet Artists — A Traditional Art Flourishes Today — The Workers Enter into Their Heritage — China's Music Comes Back to Life p169

LI KO-JAN — A Village

HUANG CHAO-CHANG — In the Forest

HAN HUANG (723-787 A.D.) — The Garden of Literature

TUNG HSI-WEN — Spring Comes to Tibet

The Courtesan’s Jewel Box p90

The Beggar Chief’s Daughter p108

The Merry Adventures of Lan Lung p120

MA SHAO-PO — Mei Lan-fang and Chou Hsin-fang p142

"Across Rivers and Mountains" p149

"The Test" p155

"Theatre" p159

An Important Victory on the Cultural Front — Commemorating Four Great Men of Letters — The Arts Flourish Among the Peasants — Japanese Novelist Saiko Tokunaga in China p164

TSAO KE-HUNG — Cats

WANG CHI — A Co-op Herdsman

CHOU YING (c. 1606–1666) — A Midsummer Morning

HSUEH CHUN-YI — In the Mountains of Sinkiang

The Lord of Hsinling p87

Ching Ko p94

Li Kuang p102

Kuo Hsieh p110

HSU KUANG-YAO — Lao Tao p114

LU FEI — Spring on the Sungari p120

CHING PIN — Birthday Greetings from the Desert p129

Ma Liang and His Magic Brush p138

The Lady in the Picture p145

"Sanliwan Village" p151

"Wen Yi Pao" — Literary Gazette p156

The Indian Cultural Delegation in China — Szechuan Opera Festival — Worker, Peasant and Soldier Authors p162

HUANG CHOU — Urgent Call

LU CHI (1496-1576) — A Landscape

KO KE-CHIEN — Autumn

HSIAO CHUAN-CHIU, SU HUI and FU TIEN-CHIU — Lament for the Victims of Hiroshima

CHEN CHI – The New Path p165

CHOU CHING – A Letter p174

FAN PIAO – On the Road to the Construction Site p177

KU YUAN – Sweeping Snow

WU TSO-JEN – Portrait of Chi Pai-shih

LI TANG (c. 1090-1160) – Gathering Wild Vegetables

CHOU CHANG-KU – Two Lambs

LUTPULLA-MUTALLEP — China p4

Challenge to Months and Years p6

TEEPJAN-ELIEV — When I See Mountains p9

LING YUNG-NING — I Rejoice and I Sing p9

The Fair of the Five Fierce Gods p101

Wu Chang, or Life-is-Transient p105

Mr. Fujino p111

The Hanging Woman p115

Stories About Nasrdin Avanti p121

A Woman's Love p130

Three Treasures p140

King of the Pomegranate Tree p143

WANG AN-YU — Ten Apple Trees p182

CHI YIN — A New Shipyard on the Whangpoo p190

SHU HSIAO-PING — Happiness Grows on New Soil p196

The Second Council Meeting of the Union of Chinese Writers — Exhibition of British Graphic Art — Young Writers' National Conference — Exhibition of Mexican Graphic Art — Tunhuang Art Treasures — More Books for Rural Areas — The "Broad Harmony" Theatre p203

HSU SHIH-MIN — Spring in the South

YANG KO-YANG — Rafting on the River

CHEN SHAO-MEI (1908-1954) — Ink and Water-colour Scene

EMPEROR HUI TSUNG OF THE SUNG DYNASTY — Listening to the Lute

Tomorrow p3

Soap p8

The Divorce p17

The Flight to the Moon p24

TURHUN ALMAS — Layli and Seit p94

YUSUF ALIEAS — A Mother's Heart p120

A. MAISWUD — The Right Road p124

The Piece of Chuang Brocade p181

Two Lovers and Two Trees p187

Let Flowers of All Kinds Blossom, Diverse Schools of Thought Contend! — A Successful Example of Opera Reform — Commemoration of Lu Hsun — Modern Drama Festival — Shanghai Writers Meet — Foreign Films in China — The Rumanian "Ciocirlia" Ensemble in China p229

HO FANG-HUA — Two Chickens

HUANG TSE-HSI — Joining the Co-op

HSIANG SHENG-MU (1597-1658) — The Wind-Swept Tree

TSAO CHIEN-FENG — The West Lake

Wood Engravings Commemorating the 20th Anniversary of Lu Hsun's Death by Yen Han, Yang Ko-yang, Chao Yen-nien, Huang Yen, Ku Yuan, Yeh Fu, Wang Jen-feng, Li Hua, Huang Yung-yu and Chao Tsung-tsao

JEN TA-LIN — Crickets p97

HSIAO PING — At the Seaside p106

KAO HSIANG-CHEN — Chubby and Little Pine p115

The Twentieth Anniversary of the Death of Lu Hsun p189

Exhibition of Traditional Painting p191

Controversy over a Poet p192

The First National Music Festival p194

Foreign Art Exhibitions in Peking p195

Museums in Building p198

Commemorations p200

Music and Dancing from Abroad p203

WU PAO-SHIH — Raining Flower Mount

ANONYMOUS — The Hunters

JEN PE-NIEN — Swallows and Peach Blossoms

WU FAN — Herald of Spring

TSUI TEH-CHIH — Saturday Afternoon at the Mill p3

HO CHIU — The Day the New Director Came p33

LU YEN-CHOU — Home-coming p53

The Magnet p79

An Autumn Night p88

ANCHINHU — A New Page in the Literary History of Inner Mongolia . p126

SAYNTSOGT — The Blue Satin Gown p131

BREN BIK — Going Home p133

MALCHINHU — By the River Shand p135

ANCHINHU — A Blizzard on the Steppe p146

The Wise Bird p157

The Law and Silver p160

The Hunter Who Had a Beautiful Wife p162

How the Horse-Headed Fiddle Came to Be Made p165

FANG CHI — The Song and the Flute p168

LI HUNG — Travelling Companions p179

HSIN JU — His First Prize p187

YEH SHENG-TAO — The Fine Traditions of Chinese Literature p196

MAO TUN — The Chinese Literature of Today p205

Asian Writers' Conference — Discussion on Realism in Chinese Classical

Literature — Kai Chiao-tien, Peking Opera Star — A New Look at China's

Operas — The Antiquarian Book Trade in Peking — Changes in Wen Yi Pao

(Literary Gazette) — National Musical and Dance Festival p215

HSIEH CHIH-LIU — Capuchin Monkey

HUANG PIN-HUNG — Corner of the West Lake

MA LIN (c. 1200 A.D.) — Watching the Waterfall

MO TSE — Cormorant-fishing

Intoxicating Spring Nights

A Humble Sacrifice

LU FEI — Forest Girls

LIU SHENG-YA — The Beacon on the Cliff

PI YEH — A Trip to the Tianshan

HSIAO CH'IEN — Scenes of the Grasslands

MAO TUN — Oppose Doctrinaire and Petty-Bourgeois Thinking

CHOU YANG — Answers to Wen Wei Pao Correspondent's Questions

CHEN CHI-TUNG AND OTHERS — Our Views on Contemporary Literature and Art

CHEN LIAO — Some Comments on the Views of Chen Chi-tung and Others

WEN YI PAO'S EDITORIAL — For the Flourishing of Socialist Literature and Art

CHANG TIEN-YI — Writing About Contradictions

Discussion on Aesthetics — The Institute of Literary Research of the Academy of Sciences — Pai Chu-i's Birthday Honoured — Pre-liberation Films Screened Again

YUAN HSIAO-CHEN — Shepherd Homeward Bound

CHUNG CHING-PING — Goldfish

ANONYMOUS — Buffalo Boy in the Autumn Forest

WU FAN — It Looks Like Rain Coming

The Fox Who Did Not Know His Place — The Lion and the Wolf — The Quarrelsome Kittens — The Magic Ox-Horn — Three Girls

HSU HSIANG-CHIEN — Fragments of Red Army Life

WANG CHI-CHENG — How We Stormed Tsunyi

CHEN CHANG-FENG — With Chairman Mao on the Long March

YANG CHENG-WU — The Fight at Luting Bridge

CHEN KUO-HUI — The Battle of Pinghsingkuan Pass

TSAO MING — New Problems

KANG CHO — The Path I Have Travelled

CHU KUANG-CHIEN — My Understanding

The Debate on the Tale of the Lute — The Opera Form in China Today — Studio of Traditional Painting Opened in Peking — State Theatre for Northern Kunchu Opera Set Up

WU CHANG-SHIH — Golden Harvest

HSU PEN — Sunshine After Snow

CHEN SHIH-TSENG — Late Autumn

WANG CHI — Homeward Bound

CHU TSE-CHING — Prose Writings p62

Fleeting Time — My Landlady — The Lotus Pool by Moonlight — Memories of Wenchow — My Father's Back

LI JU-CHEN — A Journey into Strange Lands p76

CHOU YANG — The October Revolution and the Task of Building a Socialist Culture p123

SHAO CHUAN-LIN — The Struggle Between Two Trends in Literature p130

CHI TANG — Chi Pai-shih, a Great Artist p142

LI CHANG-CHIH — Some Notes on Flowers in the Mirror p144

SHENG SHUN — Chu Tse-ching, Poet and Prose Writer p148

WEN SHIH-CHING — Local Operas on the Peking Stage p152

YEN CHIEN-PI — Chinese Calligraphy p156

Chinese Writers and Artists Celebrate 40th Anniversary of the October Revolution — The Publication Programme of the People's Literature Publishing House — The Asian Film Week — National Handicrafts Exhibition — The Chinese Production of Sakuntala — The 250th Anniversary of the Birth of Carlo Goldoni

LI HU — Portrait —

LU TSUN-PEI — Winter in the Taihang Mountains

YUN SHOU-PING — Poppies

PAN HO — Hard Times

TAO YUAN-MING — Poems p71

WEN CHIEH — Bosora, an Uighur Girl p86

LI NA — Son-in-Law p90

CHIANG PO — The White Gulls of the Yangtse p97

LEI CHIA — Notes on Life p103

YAO WEN-YUAN — Revisionist Ideas in Literature p108

WANG YAO — Tao Yuan-ming, a Great Pastoral Poet p117

WU WEI-YUN — The Chinese Puppet Theatre p122

WANG CHAO-WEN — An Appreciation of Chi Pai-shih's Paintings . p126

Cultural Exchange Between China and Other Countries in 1957 — Writers Go to the People — Japanese Writers Visit China — Writings of the Last Generation Reprinted — National Photographic Exhibition — Hsiao Chang-hua's Seventy Years in Peking Opera p132

HU JO-SSU — Kweilin Landscape

HSIAO CHEN — Red as Blossoms in Spring

CHEN HENG — On the Way Home

Photographs from the National Photographic Exhibition

CHOU YANG — A Great Debate on the Literary Front p103

CHENG CHEN-TO — Kuan Han-ching, a Great Thirteenth Century Dramatist p136

WU HSIAO-JU — Classical Chinese Prosody p141

LI HUA — Recent Developments in Graphic Art p150

Re-examination, an account of a protracted struggle in contemporary Chinese literature p153

CHEN CHIU-TSAO — A Moment in Early Autumn

JEN PO-NIEN — An Aged Traveller

LI CHUN — Dawn

The Peacock Maiden p80

TU PENG-CHENG — The Construction Chief p96

— My Young Friend p103

CHANG YU-TEH — The Country School-Teacher p115

CHI HSIEN-LIN — Indian Literature in China p123

WEN SHIH-CHING — Cheng Yen-chiu, a Great Exponent of Peking Opera p131

WANG CHING-HSIEN and HO YUNG — Chinese Book Illustrations p134

Writers and Artists Forge Ahead — Maxim Gorky Commemorated — A Recent Issue of the Theatre — Paul Robeson's Sixtieth Birthday p139

ANONYMOUS (Sung Dynasty) — Two "small" paintings

CHANG KUANG-YU — The Peacock Maiden and Chau-shun Plight Their Troth

HUANG YUNG-YU — The School in the Forest

LO PIN-CHI — Father and Daughter p3

TA CHUN — The Young Coal-Miner p31

WANG HSI-YEN — Li-ming Goes to Work on the Land p61

WANG WEN-SHIH — The Master Carpenter p73

Adventure on the Street (a hsiang-sheng) p89

Wu Sung Fights a Tiger (a story-teller’s tale) p96

TSAO YU — The Self-Destruction of Howard Fast p118

WU HSIAO-JU — The Early Chinese Prose p123

WU WEI-YUN — The Funny-Men and Story-Tellers of the Chinese Variety

Theatre p127

SUNG SU-LIU — Liu Hsieh’s Theory of Literary Criticism p132

An Important Conference of Literary Critics — Peking Writers and Artists

Discuss Chou Yang’s Report — Traditional Painting Is Linked with Industrial

Art — The Discussion on Literary Style — Small Art Forms Are Popular —

The Kite, a Sino-French Film p137

CHIANG CHAO-HO — The Doves Are Coming

YANG HSIEN-JANG — The Pagoda Hill of Yenan

WANG CHU-CHENG (Sung dynasty) — Winding the Yarn

LI HSING-YEH — The Battle at Tsubong p118

LI YUAN-HSING — My Friend Chiu Shao-yun p123

TAI CHING-SHAN — The Naked Soul of the U.S. Invaders p125

HO YUNG-CHING — Drubbing the Gloucester Regiment p127

HUANG HAO — Van Fleet’s “Last Performance” p131

WU HSIAO-JU — Euphuistic Prose and Free Prose p154

A Conference on Folk Literature — A ‘New Development in Traditional Chinese Opera — Writers and Artists Visit Northern Villages — An Anthology of Asian and African Literature p161

LI HU — The Construction Site of the Ming Tombs Reservoir at Night

TSUNG CHI-HSIANG — Kueimen, Entrance to the Yangtse Gorge

HUANG YUNG-YU — Hail the Great Victory of the Iraqi People

Appeal of the Asian and African Writers' Conference to World Writers p143

A Noble Mission — MAO TUN p147

The Call from Tashkent — LIU PAI-YU p151

A Festival of Asian and African Writers — YEH CHUN-CHIEN p154

Chinese Literature in the Struggle for National Independence and Human Progress — MAO TUN p165

Eradicate Poisonous Influence of Colonialism on Culture, Develop Cultural Exchange Between East and West — CHOU YANG p175

From Our Guest Book p184

Wall Paintings by Peasant Artists — WANG CHAO-WEN p194

Some Recent Outstanding Novels — PA JEN p198

Iraqi Art in Peking — JACK CHEN p203

Rambling Notes on Literature — MAO TUN p206

Steel-Making Writers — Chinese Works in the Art Exhibition of Socialist Countries — New Film Festival — Literature of Asia, Africa and Latin America in China — The Forty-First Anniversary of the October Revolution Celebrated — Peking Writers and Artists Visit the Fukien Front p230

Meishan Mountain Reservoir — CHANG WEN-CHUN

Wall Paintings by Peasant Artists

A Painting of Five Oxen — HAN HUANG (723-787)

A Heart-Warming Snowy Night — Liu Pai-yu p3

The New Member of the Family — Hsi Yung p14

Lilies — Ju Chih-chuan p29

Young Agronomist Wins over the Supernatural Hand — Fan Nai-chung p39

Han Yu’s Life and His Prose — Chi Chen-huai p55

Prose Writings — Han Yu p64

A Visit to the Old Soviet Areas — Wu Wen-tao p88

Chinese New-Year Pictures — An Ching p171

New Traditions in Chinese Prose — Wu Hsiao-ju p175

Rambling Notes on Literature — Mao Tun p183

A Significant Work on the History of Chinese Literature — Yang Hui p196

Recent Translations of Chinese Literature — Chen Tzu-yuan p203

CHRONICLE

General Election — Shao Yu

Iron and Steel Furnaces Everywhere — A Collective Work by the Kiangsu Studio of Traditional Painting

New-Year Pictures

A Visit to Mount Mokan — Chen Yi p41

The Envoy of the Prince of Tibet p43

The Conch Maiden p49

The Wrestler of Bailin p57

Two Wonder Trees p63

The Conceited Swan — The Cat and the Rats — The Wolf and the Lamb — The Egret and the Small Fish — The Bull's Eyes and the Goose's Eyes — The Tail of the Hare p69

Peking Stage in 1958 — Yu Wen p140

Chinese Picture-Story Books — Chiang Wei-pu p144

Rambling Notes on Literature (cont'd) — Mao Tun p147

CHRONICLE

Making Insecticide in a Village — Hsu Chien

A Street of Lhassa — Li Huan-min

A Pause During a Stroll — Jen Po-nien (1840-1896)

The Bride of Chiao Chung-ching — Anonymous p3

Turning a New Leaf — Zunun Kadyrov (Uighur) p16

Point of Departure — Kasilkan (Kazak) p32

Father and I — Wu Hua-tuo p46

Forest of Rustling Reeds — Huang Hsin-ting p55

KEEP THE RED FLAG FLYING — Liang Pin

(fourth instalment of a novel) p64

Hulling Rice — Chang Chang (Tai) p107

The Yueh-fu Songs of Ancient China — Wang Yun-hsi p110

Rambling Notes on Literature (concluded) — Mao Tun p118

Dough Figures — Yang Yu p137

“Beacon on the Steppes” — Monheboin p141

CHRONICLE

Getting Ready to Face the Foot-lights — Fu Wen-shu

Still Life — Wang Ko-yi

Prague — Fu Pao-shih

My Guide — Hai Mo p74

The Story of Yuku Mountain — Hsiao Ping p90

The Literary Research Association — Mao Tun p153

The Creation Society — Cheng Po-chi p156

The Path of Lu Hsun — Hsu Kuang-ping p160

Dr. W. E. G. Du Bois — Yang Yu p164

Indonesian Art in Peking — Jack Chen p168

Where Hsu Pei-hung Lived — Liao Ching-wen p171

CHRONICLE

Lu Hsun — Chia Sheng

An Unfinished Painting — Hsu Pei-hung

Collecting Fertilizer — Chien Sung-yen

A City in the Making — Chiang Cheng-hung

Two Tales from 'Liao-chai' — Pu Sung-ling p108

The Girl (a poem) — Tien Chien p117

On the Bridge — Wang Lu-yen p119

Chang Tien-yi and His Young Readers — Yuan Ying p137

Folk Toys — Chang Ting p140

The Yung Lo Encyclopaedia — Chao Wan-li p142

Lively Art from Hungary — Hung Yu p146

Illustrations for Children's Books — Sun Mei-lan p149

Lake in Early Summer — Hsu Shih-ming

The Hermitage — Chien Hsuan (Yuan dynasty)

Folk Toys

Yenan People — Tu Peng-cheng p52

I Knew All Along — Ma Feng p67

By the Sea (a poem) — Tsang Keh-chia p86

The Three Kunijams p88

What Is Hunger? p92

The Story of Muchi Kyku p95

Rain on the Grassland (a poem) — Wang Shu-huai p102

The White Snake (a Sung dynasty tale) p103

My Home (a poem) — Keh Pi-chou p140

The Inarticulate Traveller — Chen Pai-chen p142

Szechuan Opera — Wang Chao-wen p150

Tibetan Folk Music and Songs — Gonpo Gyaltstan and Huang Ping-shan p155

Some Archaeological Discoveries — Lin Shou-chin p159

Women Painters’ Works in the Palace Museum — Hsu Pang-ta p165

CHRONICLE

At the Ferry — Chen Ta-yu

Terraced Fields — A Collective Work by the Central Institute of Applied Arts

Flowers and Butterfly — Wen Shu (Ming dynasty)

Hands — Hsiao Hung p36

The Shrewd Vegetable Vendor — Wang Wen-shih p53

Sister-in-law Remarries — Wang An-yu p78

The Silkworm Maid — Tung Chun-lun and Chang Yuan p111

Praying for Rain (a tanzu story) — Yang Pin-kuei p120

Landscape Painting — Li Ko-jan p139

The Yunglokung Murals — Lu Hung-nien p147

Studying at Night — Chou Chang-ku

Cormorants — Lin Feng-mien

By the Yalutsangpo River — Niu Wen

Ssuma Chien’s “Historical Records” — Wang Po-hsiang p53

Hsiang Yu — Ssuma Chien p59

Two Stories — Wang Tung-chao

The Child at the Lakeside p92 Fifty Yuan p99

The Electrician’s Song (a poem) — Li Yu-yung p121

Lu Hsun on Literature and Art p123

Ivory Carving — Yang Shih-hui p134

CHRONICLE

A Fishing Port — Cheng Shih-fa

Our Reservoir — Wu Jan

Ying-ying Listens to the Lyre — Yang Shih-hui

On the Road — Teng Hung p53

The Flickering Camp Fires — Chu Chia-sheng p65

Lotus Creek — Sun Li p70

Spring Comes to the Desert (a poem) — Chu Jen p79

Out in the Storm — Malchinhu p80

The Blue Handkerchief — Han Wen-chou p90

Morning Mist in the Tea Plantations (a poem) — Chih Pang p111

The Togada Brothers (Tai) p112

Tolang, God of Pictures (Tai) p118

Meng Erh the Dreamer (Han) p122

The Worker's Village (a poem) — Man Jui p127

The Yunnan Minority Peoples’ Literature — Yuan Po p128

My New Opera — Mei Lan-fang p133

A Reminiscence of Chi Pai-shih — Li Ko-jan p140

Performances from Abroad — Yang Yu p149

CHRONICLE

Tibetan Girl — Li Huan-min

Gold Fish and Wistaria — Hsu Ku (Ching dynasty)

Begonias — Chi Pai-shih

A Bridge for Galha Ford — Liu Keh p3

Dajee and Her Father – Kao Yin p20

Moonlight on the Eastern Wall – Hao Jan p41

Eighteen Hundred Pleas — Wu Tsu-hsiang p61

The Modern Chinese Theatre and the Dramatic Tradition — Ouyang Yu-chien p102

The Composer Nieh Erh — Tien Han p124

Past and Present — Hsiao Chang-hua p132

Cultural Palace of the Nationalities — Hsieh Ping-hsin p140

By the Lantsang River — Yang Yung-ching

Willows — Pan Tien-shou

Donkeys — Huang Chou

Outlaws of the Marshes (an excerpt from the novel) p3

A Great Novel of Peasant Revolt — Li Hsi-fan p62

Mother and Daughter — Li Chun p72

Mrs. Ma’s Tea-house — Tien Leng p86

Lost — Mai Chin-hu p95

My Country, I Sing Your Praise (a poem) — Tien Chien p103

A New Canteen and Old Memories — Chao Shu-li p107

In the Loka Area — Liu Keh p112

The Writing of the Last Ten Years — Shao Chuan-lin p120

The Bolshoi Ballet in China — Jack Chen p145

Beethoven Interpreted by the Dresden Philharmonic Orchestra — Chao Feng p154

The Cowherd — Mao Yi

Spring Dawn — Liu Kuang

Morning Mist by the River — Li Ko-jan

The Immortals p3

Farewell to the God of Plague p4

Stubborn Ox Niu — Liu Shu-teh p6

The Chairman’s Hair — Shen Yao-chung p26

Maples — Ho Ku-yen 32

The Peony Pavilion (an excerpt) — Tang Hsien-tsu p43

Tang Hsien-tsu, Great Sixteenth Century Dramatist — Wang Chi-ssu p90

The Iron Man p96

Tsung Lao-lu p105

The Fisherboy p108

What Makes Me Write — Tu Peng-cheng p116

Sanpien and Yumen to Me — Li Chi p124

New Developments in the Traditional Chinese Theatre — Kuo Han-cheng p127

With Chairman Mao — Chen Mo 140

Eternal Spring — Chen Hsiao-nan

Photographs from the Third National Exhibition of Photographic Art

Poems — Wen Yi-to

Red Candle — The Stagnant Ditch — The Laundryman’s Song — This Name p3

The Poetry by Wen Yi-to — Tsang Ke-chia p8

The Family on the Other Side of the Mountain — Chou Li-po p18

The Sun Has Risen — Ma Feng p27

Forty Days on the Banks of Tungting Lake — Cheng Shu-chih p46

An Adventure in the Mountains — Tang Hung p54

A Thousand Li Across Southern Sinkiang — Pi Yeh p72

Sketches from the Tsaidam — Li Jo-ping p87

Two Poems — Yung Mei p98

Modern Chinese Short Stories — Sung Shuang p100

T’ien An Men Square — Liang Ssu-cheng p112

Sung Dynasty Paintings — Cheng Chen-to p120

CHRONICLE

Such Great Beauty Like This in All Our Landscape — Fu Pao-shih and Kuan Shan-yueh

Peasant Artist Kuo Chung-min — Wang Hung

Spring Outing — Chao Chieh (Sung dynasty)

The Giant — The Man Who Sold Sandalwood — The Leopard and the Donkey p82

Tales of the Late Tang Dynasty — Pei Hsing p88

Novel Writing in Recent Years — Feng Mu and Huang Chao-yen p108

The Great Hall of the People in Peking — Liang Szu-cheng p119

The Chinese Lute — Chu Fu-shih p128

CHRONICLE

Red Flowers — Tu Chi

Planting Rice — Yuan Yun-fu

The Care-Taker — Yang Hsu p12

Little Sheng and Little Chin — Sun Li p28

A Year of Good Harvest — Yeh Sheng-tao p37

The Song of Youth (second instalment of a novel) — Yang Mo p46

Raise Higher the Banner of Mao Tse-tung's Thought on

Literature and Art — Lin Mo-han p106

On Red Flag Folk Songs — Yao Wen-yuan p120

The Museum of Chinese History — Wang Li-hui p128

Chinese Handicraft Art — Lei Kuei-yuan p136

There’s a Reservoir East of Our Village — Chang Kuang-yu

A Meeting on Production — Shao Yu

Handicraft Art

Typhoon — Liu Pai-yu p3

Spot of Red in the Sky — Hu Wan-chun p12

Literary Ties p110

Our Art Is Advancing with the Times — Tsai Jo-hung p113

The Zenshinza Kabuki Troupe — Ouyang Yu-chien p120

Chekhov’s Centenary p126

150th Anniversary of the Birth of Frederic Chopin p127

Three Families Lane — Red Anyuan — The Coal-Miner’s Song p129

She’s Catching Up! — Collective Work of the Research Institute of Tunhuang Art

Mountain Carts — Anonymous (Sung dynasty)

Our Village Iron Works — Lai Shao-chi

The Story of Li Shuang-shuang — Li Chun p3

The First Lesson — Tang Keh-hsin p27

Crossing the Tangling Mountains — Wu Hsien-en p35

A Pair of Cloth Shoes — Chiang Yao-huei p40

Four Needles — Yang Tien-kuei p43

Poles — Li Ming p44

The Drumhead — Chao Hung-chin p48

I Have Seen Chairman Mao — Hanan-chou p51

Fly, Peacock, to Peking! — Hanan-chou p52

Hanan-chou, a Tai Poet — Chen Kuei-pei p55

Mural on a Commune Yard Wall (a cartoon film scenario) p61

The New Cartoon Films — Hua Chun-wu p71

By the Roadside Mulberry p75

Song of the Orphan p77

The Song of Youth (last instalment of a novel) — Yang Mo p80

On The Song of Youth — Huang Chao-yen p138

Holiday — Chiang Chung-hsing

An Actress of the Miao-Tuchia Autonomous Chou — Li Hu

Cartoon Films — Mural on a Commune Yard Wall, A Big Red Flower, Fisherboy, and Piggy and the Water-melon

The Chain Reaction of the Anti-imperialist Struggle — Kuo Mo-jo p68

Drums Like Spring Thunder — Liu Pai-yu p71

Cuba, I Salute You — Emi Hsiao p76

Flower of the Caribbean — Yuan Shui-po p78

We Send Off Our Avion de Poesia — Kuo Hsiao-chuan p79

Snow Lotus of the Pasture-land — Chuan Kuan-fu p81

Turgen the Guide — Fu Chih-hua p92

The First Spring — Ulanbagan p103

Wet Nurse — Wei Chin-chih p110

How Liang Pin Came to Write "Keep the Red Flag Flying" — Fang Ming p124

Art Exhibition of the People's Liberation Army — Tuan Chang p131

A Novel About the Liberation War — Chao Ling p136

Three New Documentary Films — Yang Mei-yu p141

A Single Spark Can Start a Prairie Fire, Vol. III — Advancing in the Light of the Rising Sun — Ngo-ping and Sang-lo p144

Hankow at Night — Cheng Hsun

Lotus and Mandarin Ducks — Chen Hung-shou

Heroic Father and Son — Chao Kuang-tao

The Maternity Home — Ju Chih-chuan p6

Encounter on the Road — Chi Mai-lin p22

Chinese Writers Stand Together with the Fighting Japanese Writers — Mao Tun p35

Impressions of Our Visit to China — Hiroshi Noma p39

A Great Welcome for the Japanese Writers’ Delegation p42

Contract Labour — Hsia Yen p47

The Revival of Two Operas — Chang Keng p64

The Counterfeit Seal (a Fukien opera) p70

Li Kuei the Black Whirlwind (a Peking opera) p108

Literary Ties Between China and Latin America — Chou Erh-fu p146

The Weifang New-Year Pictures — Ma Keh p153

Spring in Northern Shensi — Hsü Chun

Morning on Taihu Lake — Ya Ming

Carp Jumping over the Dragon-gate — Shih Pang-hua

I Have Seen Chairman Mao — Hiroshi Noma p6

My Meeting with Chairman Mao — Katsuichiro Kamei p9

Meeting Chairman Mao Tse-tung — Yoko Matsuoka p14

The Pathfinder — Liu Pai-yu p17

The Battle of Sangkumyang — Lu Chu-kuo p33

Taming the Dragon and the Tiger — Tuan Cheng-pin and Tu Shih-tsun p50

On "Taming the Dragon and the Tiger" — Yen Chen-fen p146

Selected Poems — Li Po p153

Li Po and His Poetry — Wang Shih-ching p165

Smash the U.S. Paper Tiger! — Chou Wei-chih p173

The Storm of Opposition to U.S. Imperialism — Yuan Wen-shu p181

A Powerful Blow — Hua Chun-wu p188

Exhibition of Modern Japanese Painting in Peking — Yeh Chien-yu p192

The Designs of Dress Decoration in Kweichow Folk Art — Ma Cheng-yung p197

CHRONICLE

Chairman Mao Tse-tung with the Peoples of Asia, Africa and Latin America — Wu Pi-tuan and Chin Shang-yi

A Scene of Plenty — Shih Lu

650 Million Chinese Resolutely Support the Just Struggle of the Peoples of the World — a collective work of the Central Institute of Fine Arts

Embroidery for a Sleeve — Ku Shu-ying (Miao)

Embroidery for a Sash — Liao Lao-lin (Miao)

Song of Battle — Wen Chieh p163

The Flowing Waters of the Congo — Tsou Ti-fan p165

The Chinese Style in Art — A review of the National Exhibition of Art — Teng Wen p179

A Hundred Flowers in Creative Writing — The Exhibition of Literary Books and Periodicals — Hung Yu p185

Long Live the People’s Commune — a collective work by students of the Lu Hsun Art Academy

Mechanizing Agriculture — Tu Hsien-ching, Chung Tsai-pen,

Liu Shih-chang and Wang Yu-chang

Inside and Outside the Great Wall — Liu Kuang

Battling Against the Drought — Ya Ming and Sung Wen-chih

Making Fans — Hsia Chu

Sunrise — Liu Pai-yu p33

A Visit to a People’s Commune in Kwangtung — Chen Tsan-yun p38

Good Morning, Africa, New Africa — Li Yeh-kuang p56

We Support You, Algeria! — Li Yeh-kuang p58

A Writer’s Responsibility — Sha Ting p143

Our Attitude Towards Life and Writing — Liu Ching p149

Spring in Yangchialing, Yenan — Yang Ching

The Tractor’s Just Left — Lei Yung-hou

Lotus Flower and Paddy Bird — Chu Ta

In Prison — Yun Tai-ying p62

Crossing Lake Tungting — Teng Chung-hsia p63

The Prisoner's Song — Yeh Ting p64

To My Mother — Li Shao-shih p65

Poem — Huang Cheng p66

My Confession — Chen Jan p67

A Short Introduction to Old Chinese Fables — Wei Chin-chih p69

Selections from Old Chinese Fables p75

Once More I Hear the Heart-Warming Word "Paukphaw" — Chao Feng p180

A Heroic People, A Glorious Performance — Burhan p186

Welcome to the Japanese Modern Drama Company — Tien Han p189

Viet Nam's Brilliant Hat Cheo Opera — Shen Hua p191

Chairman Mao Travels Through the Whole Country — Li Chi

Winter Sowing — Chen Tien-jan

Dawn on Tienshan — Li Shan

The Unglovable Hands — Chao Shu-li p44

Sowing the Clouds — Li Chun p58

The Sisha Archipelago — Ko Yuan p93

Tearing the Mask Off the U.S. Armed Forces — Chung Hsi-tung p102

On The Pilgrimage to the West — Wu Tzu-hsiang p115

The Pilgrimage to the West (an excerpt from the novel) — Wu Cheng-en p126

The Fiftieth Anniversary of the Death of Leo Tolstoy — Mao Tun p173

Chairman Mao Tse-tung — Liu Kai-chu p40-41

Spring in the Date Orchard — Hsiu Chun p114-115

Spring Is Always with Us — Chen Tzu-fen p172-173

Two Stories — Lo Shu

The Salt Worker p21

Aunt Liu p35

On "The Dream of the Red Chamber" — Ho Chi-fang p65

History of "The Red Chamber Dream" — Wu Shih-chang p87

Lin Feng-mien's Paintings — Mi Ku p101

Three Paintings — Lin Feng-mien

Red Maples 10-11

Girl in Red Skirt 62-63

Pear Trees and Birds 86-87

Three Stories — Yeh Sheng-tao

How Mr. Pan Weathered the Storm p3

Night p23

A Declaration p32

Yueh-fu Folk Songs p57

The Yueh-fu Folk Songs of the Han Dynasty — Yu Kuan-ying p67

Tiger Leap Canyon — Feng Mu p75

White Herons and Sunlight Cliff — Ho Wei p82

A Visit to Yeh Sheng-tao — Lu Chien p88

The Art of the Jade Carver — Pan Ping-heng p96

Ma Yuan’s “Plum Blossom and Wild Ducks” — Chang An-chih p102

Li Shuang-shuang p105

Apricot Orchard — Chao Mei p38-39

What Does the Parrot Say? — Pan Ping-heng p96-97

Plum Blossom and Wild Ducks — Ma Yuan (Sung dynasty) p104-105

On the Banks of the Cheng — Ju Chih-chuan p3

The Road Test — Chang Tien-min p16

Threshold of Spring (last instalment of the novel) — Jou Shih p30

The Twenty-four Modes of Poetry — Ssukung Tu p65

Ssu-kung Tu’s Poetic Criticism — Wu Tiao-kung p78

Climbing Mount Taishan in the Rain — Li Chien-wu p84

Peony Park — Yen Chen p90

“Face Designs in Chinese Opera” — Ah Wen p95

“Manifestations of the Pure Land” — Pan Chieh-tzu p100

A Woman Writer of Distinction — Fang Wen-jen p104

Chinese Translations of Latin American Literature — Wang Yang-lo p109

A Construction Site (woodcut) — Feng Ching-chieh p64-65

Li Chi (a stage photograph) as played by Hao Shou-chen p94-95

Manifestations of the Pure Land (details from a Tunhuang mural) p102-103

Poems — Lu Yu p72

Lu Yu, Poet and Patriot — Tsung Shu p80

Delivered Safe and Sound — Ku Kung p89

How the "Bai" Learned a Lesson p99

The Clever Bargantzan p102

Huang Chou's "Gathering Water-chestnuts" — Tso Hai p106

The Singer of the "Kone Nakha" — Chien Chi-hua p113

A Visit to "World Literature" — Fang Li p120

On Guard Beneath the Neon Lights p126

An Early Peking Landscape p132

"Stone Classics"

White Lotus and Water-bird — Hsieh Chih-liu p101

Shock-workers of a People's Commune — Yang Hsien-jan p98-99

Gathering Water-chestnuts — Huang Chou p112-113

Poems — Tsang Ko-chia p48

Tsang Ko-chia and His Poetry — Lin Chien p86

Shao Yu’s Sketches — Li Yang p93

Chou Hsun’s “Waiting for a Ferry” — Tso Hai p101

The Collected Works of Chu Chiu-pai

The Collected Works of Hung Shen

Sending off the Bride — Shao Yu p62-63

Umbrellas — Shao Yu p96-97

Waiting for a Ferry — Chou Hsun p104-105

In the Mountains — Lin Chi p3

Shearing Time — Chao Yen-yi p34

Heroes of the Marshes (an excerpt from the novel) — Shih Nai-an p46

Some Thoughts on Cartooning — Hua Chun-wen p86

Japanese Literary Works in Chinese Translation — Li Mang p95

Our Land So Fair p102

Snowy Surf p104

Tea-pickers — Hsu To p32-33

Dusk Is Falling — Fang Chih-chung p72-73

Sailing down the Yellow River — Tu Chien p94-95

Barley Kernel Gruel — Li Chun p3

The Wild Aster — Li Chi p15

In the Same Boat — Kao Ying p26

Two Stories — Lu Hsun p49

The Frog Moves House (Mongolian) — The Tiger and the Squirrel (Mongolian) — The Fox and the Turtle (Tibetan) — The Drunken Sparrow (Tibetan) — The Crow’s Promise (Tibetan) — The Cock King (Tartar)

On Lu Hsun’s Two Stories — Tang Tao p73

A Myriad Hills Tinged with Red — Fang Chi p78

The Artist and His Audience — Wang Chao-wen p89

The Playwright Tsao Yu — Yang Yu p97

Violin Fountain p104

The Distant Gobi p107

The Day Begins — Wu Chun-fa p38-39

Fishing Boats in the Willows — Li Ko-jan p48-49

A Myriad Hills Tinged with Red — Li Ko-jan p80-81

A Souvenir — Li Jo-ping p3

A New Year’s Gift — Odsor p22

Arbutus Cocktails — Yu Ta-fu p37

Flight — Yu Ta-fu p38

Poems — Li Ho p65

Li Ho, a Poetic Genius — Chen Yi-hsin p74

Passages from an Autobiography — Chi Pai-shih p81

The Painter Hsu Pei-hung — Chu Tan p96

Truth, Imagination and Invention — Ko Ling p106

Flames of Vengeance Vol. II p115

The Wild Swans Fly North p118

Buffaloes — Hsu Pei-hung p30-31

A Landscape — Chi Pai-shih p80-81

Braving the Wind — Hsu Pei-hung p102-103

The Marriage of Late Sister — Tsung Pu p3

A Night in the Open — Kuan Hua p22

Love-seeds — Ssuma Wen-shen p39

Shipwreck — Wang Tung-chao p51

Green Bamboo Hermitage — Wu Tsu-hsiang p66

Anecdotes of the Warring States p79

An Earliest Work of Prose — Tsung Shu p87

The Actor’s Contradictions — Shu Chiang p92

Peking People’s Art Theatre — Chou Liang p101

“Ladies on a Spring Outing” — Tso Hai p109

Pocket Library of Literature p114

Sheep — Shih Lu 58–59

A Girl of T’ung Nationality — Ho Yun-lan p78–79

Ladies on a Spring Outing — Chen Hung-shou (1598–1652) p110–111

Poems — Hsin Chi-chi p65

Hsin Chi-chi and His Poetry — Teng Kuang-ming p73

Three Stories — Yang Chen-sheng p79

An Adventure in the Forest (a reminiscence) — Wo Jan p89

When Characters Come to Life — Ko Ling p102

Kuan Shan-yueh’s Paintings — Chih Ko p108

The Boundless Grassland (Part I) p115

A Trading Post in the Mountains p117

Spring Drizzle — Tang Chi-hsiang p78-79

Plum Blossoms — Kuan Shan-yueh p88-89

When the Rain Is Over — Kuan Shan-yueh p110-111

I Love This Life p92

Night Shift p94

Stormy Seas — Chi Ping p48

A Clash of Temperaments — Li Ching p63

Tang Dynasty “Yueh-fu” Songs — Chang Chieh and Wang Chien p77

How I Acted the Part of Jampa — Wangdui p85

Portraying the New People of Our Age — Pien Chi p97

The Great Wall of the South Coast — Tzu Pien p103

The Lean Horse — Ah Wen p107

Stills from the film “Serfs” p38-39

Hunting — Uldzhit p76-77

Fishing Boats — Shen Jou-chien p96-97

Sisters-in-law — Hao Jan p48

Her House Has to Wait — Chang Chun p61

How I Came to Write "Uprising of the 'Sinners' " — Ulanbagan p74

Reportage in Contemporary Chinese Writing — Mo Kan p79

New Attraction in Peking Theatres — Ah Wen p89

Cross-stitch Embroidery of the Miao People — Liu Wei-ho p95

Milkmaids of the Grassland — Sa Yin-chang p36-37

Spring Dressed in Snow — Wu Kuan-chung p64-65

Going to the Races — Liu Sheng-chan p70-71

Winter Is Over in the North — Chin Yi-yun p88-89

The Blacksmith and His Daughter — Liu Keh p3

A Spring with Many Flowers — Li Teh-fu p19

Dream of a Gold Brick p99

The Man with No Head p100

An Episode from the Years of War — Li Ying-ju p106

Hsien Hsing-hai the Composer — Ma Ko p110

My Experience as a Woodcut Artist — Shen Jou-chien p117

"The Cloud-capped Peaks in the Distance" — Ku Kung-ta p125

The River Is Being Tamed — Shen Jou-chien p18-19

A Woman Pilot — Chen Cho-ting p96-97

The Cloud-capped Peaks in the Distance — Anonymous p124-125

Crucible — Niu Ke-lun p79

South Island Arsenals — Chen Ta-hsin p91

Works by Young Writers — Ping Chih p99

Short Comedies — Hu Yu p106

New Sculptures — Fu Tien-chou p113

Foochow Handicrafts p119

Plum Blossom — Chiang Yi-jan p64-65

The Tea Leaves Are Turning Green — Liu Shu-chieh p78-79

Ouyang Hai at the Crucial Moment — Tang Ta-hsi p112-113

The Vegetable Seeds — Hou Jan p3

Taking Over — Wang Hui-chin p13

The Sun Shines Bright — Wang Chiao p25

Two Poems — Lu Chi p35

Bitter Herb (excerpts from the novel) — Feng Teh-ying p39

The Girl Driving Yaks (a poem) — Fu Chou p90

The Scholar p93

The Lie Frame p96

Some Problems Concerning Dramas

on Revolutionary Modern Themes — Tso Chu p104

Unforgettable Memories — Feng Ts'eh-ying p119

Hsu Ku's "Willow and Mynahs" — Hu Ching-yuan p123

A School for the Coming Generation — Feng Kuo-lin 84+85

The Vietnamese Peasants — Tung Chi-chung 92+93

Willow and Mynahs — Hsu Ku 118-119

Morning Study — Kuo Kuo-tung p97

We Shall Always Follow the Party — Wu Shu-teh p98

Recalling Our Pioneering Days — Anonymous p99

Five Youngsters Go to Their Posts — Chen Yu-lin p100

Clearing Hills and Bridging Rivers All over the Land — Yin Hsing p102

The Girl Taking Lunch to the Lumbermen — Liu Teh-chang p105

The Revolutionary Ballet "The White-Haired Girl" — Yu Lu-yuan p117

Comments on the Ballet "The White-Haired Girl" p133

Chairman Mao Chats with Dr. Norman Bethune — Chen Hsin-hsing p96-97

On Patrol — Wei Tzu-hsi p116-117

Stage photos from "The White-Haired Girl" p132-133

Repudiate Chou Yang’s Revisionist Programme for Literature and Art — Wu Chih-yen p112

On Sholokhov’s Story “A Man’s Lot” — Li Ying and Tung Chao p141

A Commune’s Persimmon Orchard — Wen Chih-chuang p52-53

Autumn Harvest — Min Chien-hsing p74-75

Chairman Mao Is the Never-Setting Red Sun in Our Hearts p3

Chairman Mao’s Heart Is Linked with Ours p9

Chairman Mao Has Received Us Red Guards p14

A Pledge to Be Successors to the Proletarian Revolutionary Cause

Trained in Military Affairs as Well as Culture p20

I Put a Red Arm Band on Chairman Mao p23

Hail Our Great Leader in Uniform — Wang Hsiung and Yu Kuang-lieh p27

Brighter and Redder Than Any Sun — Yuan Hou-chun and Ku Cheng-fu p29

Great Commander, We Shall Follow You For Ever — Yu Hsiao p31

Spread Wide the Thought of Mao Tse-tung — Wang Chang-hsiu p32

Long Life to You, Dear Chairman Mao — Ma Chan-feng p34

Chairman Mao’s Great Hand p36

The Day We’ve Longed for Has Come at Last — Fang Chan-chih p37

The Works of Chairman Mao Have Come! p38

Dauntless Red Guards — Pai Shui p39

How I Conceived and Wrote “The Song of Ouyang Hai” — Chin Ching-mai p105

Chairman Mao Joins a Million People to Celebrate the Great Cultural Revolution (photographs) p40-41

Mao Tse-tung's Thought in Command of Our Battle p14

True Gold Isn't Afraid of Fire, the Longer It's Tempered the Stronger It Gets p27

Concern for the Fighters Means Concern for the Revolution p29

Anecdotes About Wang Yu-chang p38

Making Revolution Depends on Mao Tse-tung's Thought — Excerpts from Wang Yu-chang's Diary and Conversations p41

Dawn Irradiates All Peking p44

Sunlit Buses Fill the Streets with Song p53

The “Secret” Packet the Little Girl Sent p57

Some Red Guards Meet Friends from Abroad p61

Indomitable Heroine, Nguyen Thi Chau p67

The Vast Sea of People's War p79

New Masters of the Stage p91

Remould Our Thinking and Be Good Soldiers, Destroy the Old, Establish the New and Portray Soldiers Well p100

On Chou Yang's Theory of a “Literature of the Whole People” p108

Follow the Way of Nanniwan – soldiers from the PLA units in Peking p66-67

Good Tidings from the Dry Grassland – Szu Hsin p90-91

Stage Photographs of Performances During China's National Day Celebrations p98-99

Commemorating Lu Hsun, Our Forerunner in the Cultural Revolution p4

Commemorate Lu Hsun and Carry the Revolution Through to the End — Yao Wen-yuan p10

Learn from Lu Hsun, Be Faithful to Chairman Mao For Ever — Huang Ping-wen p26

Rebutting Simonov — Lin Lu p30

Mao Tse-tung’s Thought Illuminates Lu Hsun — Hsu Kuang-ping p35

Commemorating Lu Hsun’s Rebellious Spirit — Kuo Mo-jo p41

Concluding Speech at Meeting in Commemoration of Lu Hsun — Chen Po-ta p46

Some Notions Jotted Down by Lamplight p49

“Fair Play” Should Be Put Off for the Time Being p58

Thoughts on the League of Left-wing Writers p68

On the “Third Category” p74

Reply to a Letter from the Trotskyites p79

Death p83

Chairman Mao’s Good Fighter, Lei Feng — Chen Kuang-sheng p90

Singing in the Praise of Chairman Mao p120

Be Propagandists of Mao Tse-tung’s Thought All Our Lives p127

A Poem by Lu Hsun in Chairman Mao's Handwriting p4-5

Portrait of Lu Hsun p8-9

Manuscript of Lu Hsun's Handwriting p34-35

New Tachai (wall painting) – Chao Kuo-chuan, Li Hsiang and Chang Yin-lin p48-49

Photographs of Performances by the Amateur Theatrical Troupe of Hopei Peasants p126-127

A Soul-stirring Class Struggle — Chun Ching p3

The Birth of the First Ballet with a Modern Revolutionary Theme — Hsueh Ching p9

"Shachiapang" — a Beacon Fire — Huo Chu p13

"The Red Lantern" Which Cannot Be Put Out — Kao Liang p19

On the Counter-revolutionary Double-dealer Chou Yang — Yao Wen-yuan p24

PROSE

Red Guards on a Long March — Ching Chun p72

The Seeds — Chia Wen-ling p91

A Night Climb Over "Thorny Dam" — Sung Hung p97

POEMS

Chairman Mao, the People of Yenan Miss You! p106

Endure the Wind and the Rain for a Thousand Years! p108

Nothing Can Change Our Hearts p111

A Letter Home p113

Standing in Front of the Monument of the People's Heroes p116

Forty-one Red Hearts Are with Chairman Mao For Ever p119

Our Pledge p138

"The Prisoners' Song" — Wang Chin-ming p142

Bumper Harvest of Pears (New-Year picture) — Hou Chi-shan p18-19

Oil Workers (oil painting) — Ma Chang-li p98-99

An Old Couple Study Chairman Mao's Works (coloured sculpture) p118-119

Making a Start — Fang Hsing p49

Wall of Bronze p53

Weeds from the South Grow Green in the North — Wang Kuang-wen p59

Hot Spring — Chiang Ping-hong and Wang Tsung-jen p62

Precious Water — Chiang Hung-hsing p77

An Earthenware Pot p80

An Art Programme Serving the Restoration of Capitalism — Chao Hui p122

Tsai Jo-hung Is the Ring-leader of the Anti-Party Gang in the Field of Art — Hsin Ping p128

Hua Chun-wu Is an Old Hand at Drawing Black Anti-Party Cartoons — Hung Yu p133

A Great Communist Fighter — Yeh Ching-shan p12

A True Internationalist — Lang Lin p23

The PLA Soldiers Sent Us by Chairman Mao — Ma Hao-liu and Tao Chia-shan p87

Spring Rain — Fei Liang-chiung p92

The Wheels of the Revolution Roll On — Wang Wan-chi p97

Hard Work Speeds the Spring — Feng Lei-ping p101

A Letter from the Central Committee of the Party — Shih Yang p107

Granny’s Labour of Love — Shih Hsin p109

Drums Are Sounding the Assault on the Spring Ploughing p111

The Spring Ploughing Is Going Like a House on Fire — Yu Hsiao p113

The PLA Fighters and the Red Guards p115

Glorious Photographs — Ko Yang p128

The Red Sun Which Shines over the Whole World — Kuo Chen-tao p132

Before Us Is an Age of Spring p139

The Real Meaning of Chou Yang’s “Theory of Broad Subject-Matter” — Ai Yen p144

The Sculptures "The New Foolish Old Men of Tashu" - Pien Chi p154

Pioneer of Symphonic Music of the Proletariat - Hsiao Min p159

Revolutionary Art, Blossom of Friendship - Kuang Hsin p165

Growing in Battle (oil painting) - Chin Ta-hu and Chang Tin-chao p34-35

Spring on the Grassland - Pao Shih-hsueh p100-101

Photographs of "The New Foolish Old Men of Tashu" p154-155

Front Cover: Wang Chieh (poster)

Patriotism or National Betrayal? — Chi Pen-yu p3

The Death Knell of Imperialism Is Tolling — Feng Lei p97

"They Brag of Their Disgrace" p104

"Quotations From Chairman Mao Tse-tung" Fly Through the world — Shih Yang p107

Serve the People p110

Quotations from Chairman Mao Give Us Strength — Ma Sheng-hai p112

Chairman Mao's Books Gleam Like Gold — Lu Lin-ching p114

A Lesson in the Fields — Huang Yun-ting p32-33

Take Firm Hold of the Revolution, Promote Production p96-97

Taking a Bumper Harvest Home — Chien Sung-yen p102-103

A Poster Based on a Quotation from Chairman Mao p66-67

The Revolutionary Red Lantern Illuminates the Stage p124-125

Photographs from “Taking the Bandits’ Stronghold” p128-129

Seminar Sponsored by the Afro-Asian Writers' Bureau to Commemorate the 25th Anniversary of Chairman Mao's "Talks" p48

Chairman Mao and Comrade Lin Piao Receive Writers and Friends from Many Countries p57

Message of Salute to Chairman Mao p60

Study Chairman Mao's "Talks at the Yenan Forum on Literature and Art" p66

Speech by Sudanese Delegate — Ahmed Mohamed Kheir p72

Let the Great Red Banner of Mao Tse-tung's Thought Fly All over the World — F. L. Risakota p83

Stride Forward Along Chairman Mao's Revolutionary Line on Literature and Art — Chi Pen-yu p94

Establish the Complete Supremacy of Mao Tse-tung’s Thought on Literature and Art — Hu Wan-chun p113

All My Life I Mean to Be Chairman Mao’s Loyal Fighter on the Literary and Art Front — Yin Kuang-lan p125

We Work to Consolidate the Dictatorship of the Proletariat p131

Helping the Seeds to Sprout — Shen Chin-hsien p135

Crossing the Bridge — Chu Fu-nian p146

They Speed Me on My Way — Shih Hsien-liang p151

Song over the Docks — Yeh Nan p158

A Single Spark Can Start a Prairie Fire — Chen Cheng-kang p161

A Glorious Point of Departure — Ku Chun p165

The Red Sun Is Rising Over Tien An Men — Chi Yu p167

The Long March p172

The Brilliance of Chairman Mao’s Thought on Literature and Art Irradiates the Shanghai Stage p178

Chairman Mao’s Quotations Set to Music p187

Chairman Mao Is the Red, Red Sun in Our Hearts (gouache) p112-113

A poster based on a quotation from Chairman Mao p134-135

Stage Photographs of the “Shanghai Festival of Workers, Peasants and Soldiers” p182-183

Act According to Chairman Mao's Instructions — Chi Tu-ken and Hu Lin-shen p65

Rain and Dew Make Young Shoots Grow Strong p73

A Working Woman's Fury — Hui Ti p80

A Generation of New People p84

The Helmsman p91

Fighting Africa Sings Mao Tse-tung and His Great Cause p93

Shaoshan, I Sing of You! p94

Guide of the Revolution p96

Great Chairman Mao — Radiant Sun p97

Long Live Mao Tse-tung's Invincible Thought on Literature and Art — Wen Tse-yu p99

For Ever Uphold the Orientation that Literature and Art Must Serve the Workers, Peasants and Soldiers — Wang Hsiao-tung p115

"Quotations from Chairman Mao Tse-tung" Circulates Throughout the World p129

Chairman Mao is the Never-setting Sun in Our Hearts p12-13

Stage Photographs from "Raid on the White Tiger Regiment" p58-59

Chairman Mao's Works Are the Source of Our Strength p90-91

Autumn Harvest – Yen Chien-hsin p114-115

The Bell — Feng Chih-hsin p72

A Vivid Lesson — Sung Miao-fang p78

Paving the Road — Yung Liang-hsin p82

Criticism Meetings in the Fields — Chang Ching-kung p86

The Mobile Repair Team Has Come to the Commune — Li Hsi-hung p88

The Rafters — Fei Hung-chih and Chang Cheng-hua p90

Battle Songs on the Snowy Mountain — Sung Hsieh-lung p92

Sounding the Sea — Wu Yung-tso p94

The Red Searchlight Squad — Yu Hsiao p96

Create Heroic Images by Applying Mao Tse-tung’s Thought — Tsan Yuan-shou p98

Learn from Revolutionary Heroes p103

Let Us Write Songs in Praise of the Heroic Workers, Peasants and Soldiers — Chih Fu p108

Epics of the Victory of People’s War p121

Stage Photographs from “Shachiapang” p46-47

Chairman Mao and Comrade Lin Piao in the Yenan Days p80-81

A poster based on a quotation from Chairman Mao p102-103

A Communist Fighter, Tsai Yung-hsiang p25

The Story of Nien Szu-wang — Li Tien and Wang Tsung-jen p37

Settling Accounts — Shen Chung-liang and Ku Shih-jung p60

A Consultation at Night — Tung Hsiao-hsueh p66

Sentry Duty — Tai Chang-ya p72

Chairman Mao Is the Red Sun in Our Hearts — Hung Chan-pi p77

Chairman Mao Has Given Me a Gun — Hsiang Yang p81

Shaoshan's Red Sun — Li Chih-kuo and Chi Hung-hsien p83

The Red Sun Lights up the Whole Sky — Yao Jen-feng p85

The Ringleader in Peddling a 'Literature and Art of the Whole People' p87

Revolutionary Song and Dance, Militant Friendship 102

Let the Flames of Revolution Burn More Fiercely! p107

Performance in China of the Vietnamese Acrobatic Troupe p112

Heroic Envoys p115

The Source of Strength (coloured woodcut) p36-37

Studying Chairman Mao's Works in the Fields (peasant's painting) — pLiu Chin-kuei 86-87

A poster based on a quotation from Chairman Mao p106-107

Our Great Helmsman p35

The Red Flag Roused the Serf, Halberd in Hand p41

The Sun Shines on Tiehchitung p50

A Song of Praise for Chairman Mao — Yao Cheng-yu p55

Fighters Come to Tien An Men — Yu Tsung-hsin p58

We Have Struck Root in This Island — Sung Chin-shan p60

Beacon Lights — Wang Ying p61

Expose the Counter-Revolutionary Features of Sholokhov — Shih Hung-yu p98

Anti-Revisionist Struggle in the Examination Room p111

The World's Revolutionary People Love Chairman Mao (gouache) p34-35

The Red Flag Roused the Serf, Halberd in Hand (traditional painting) p54-55

Long Live Chairman Mao! (gouache) p62-63

Red Hearts Turn to Peking (traditional painting) p110-111

The Soviet People Love the Great Teacher Chairman Mao p18

The Splendour of Chairman Mao's Works Irradiates the World p24

On the Way — Kuo Pao-chuan p56

A Rusty Nail — Hu Kang p62

A Handful of Soil p65

Glorious Festival — Tao Chia-chan p68

To the First Spring Thunder — Li Cheng p72

Fighting South and North (a film scenario) p75

A Manifesto of Opposition to the October Revolution — Hung Hsueh-chun p97

Tear Off the Mask of the “Culture of the Entire People” — Fan Hsiu-wen p107

Chairman Mao Receives the Red Guards (oil painting) p64-65

Just Back from Peking (traditional painting) p74-75

Seven Hundred Million People Are Critics (traditional painting) p96-97

Utterly Loyal to Chairman Mao — Li Ju-chung p73

The Old “Kangta” Has Come Back to Yenan — Chang Chin-tung p75

Transporting Treasured Books — Wen Teh-yu p78

A Mobile Bookstore Comes to Our Barracks — Feng Yung-chieh p80

Grain Boats Leave the Harbour — Yuan Wan-hsiang p82

People Everywhere Think of You (stories) p84

In Praise of Shaoshan — Haziz Ndreu p98

Long Life to Chairman Mao p100

Chairman Mao Is the Red Sun p102

Salute the Great Proletarian Cultural Revolution — Haziz Ndreu p103

Forum on the Clay Sculptures “Family Histories of Airmen” p106

“Our Scabs Are Their Treasures” — Hsu Kuang-Ping p124

Apologist for Bukharin, Agent of the Kulaks — Li Ching p132

Writing to Chairman Mao (traditional painting) p60-61

Tasting the Bitterness of Our Fathers (traditional painting) p72-73

Photographs from “Family Histories of Airmen” p116-117

Sailing the Seas Depends on the Helmsman p150

Long Live Chairman Mao — Shih Yung-fu (Han) p3

A Vow to Chairman Mao — Donrub (Tibetan) p5

The Red Sun Rises in a Miao Fighter’s Heart — Wu Kai-hung (Miao) p7

Presented to Chairman Mao — Abdullah (Uighur) p8

Weave Brocade to Send a Dear One — Man Lin (Chuang) p10

The Red Sun Mounts in the Peking Sky — Wang Cheng (Yi) p11

Defend with My Life Mao Tse-tung’s Thought — Sang Fei (T’ai) p12

A Long, Long Life to Chairman Mao — Ling Piao (Hani) p14

A Fiery Red Sun Rises in the East — Tzuto (Pulang) p15

Never-Setting Sun — Tao Wan-chung (Kato) p16

A Model in Helping the Left and Cherishing the People p17

Like Wen-chung, Always Loyal to Chairman Mao — Wang Pang-min p25

Take the Path of Heroes, Carry on the Revolution p30

A Glorious Example p33

How Le Doan Guang Mines the Enemy’s Positions p40

Home-Made Weapons "Engineer" p45

Go Among the Workers, Peasants and Soldiers p90

The Banner of the October Revolution Is Invincible — Chung Yen-ping p102

Chairman Mao Revisits the Chingkang Mountains (oil painting)  p16-17

The Army Helps the Peasants (traditional painting)  p44-45

Stage Photographs from “Sea Battle at Night”  p80-81

Most Potent Voice of Our Age — Chang Mu-chen and Wang Ko-sheng p81

Sailing the Seas Depends on the Helmsman — Feng Yung-chieh p84

Faithful Always to Chairman Mao, Serve the People Whole-heartedly — Szuma Li-hsuan

Expose the Nature of the Soviet Revisionists' Vaunted “Humanism” — Fan Hsiu-wen p100

Autumn Insects Shrill — Kuo Hung p105

Chairman Mao and Vice-Chairman Lin Review the Red Guards (oil painting) p26-27

Photographs from the Film “Little Soldier Chang Ka” p60-61

Chairman Mao at the Yenan Forum on Literature and Art (oil painting) p88-89

Heroes Who Fought and Gave Their Lives for Chairman Mao’s Revolutionary Line p22

Don’t Rest on Your Laurels, Make New Contributions — Chih Hsan-yi p37

Army and People Are Close as Fish and Water — Sun Shu-chun p48

The PLA Has Come Again to Our Mountain Village — Chin Yen p55

Tamarisk Gorge’s Second Platoon p59

A Review of “Days and Nights” — Hsieh Song-wen p75

Repudiate Tao Chu’s Revisionist Programme for Literature and Art p85

A Counter-Revolutionary Record Aimed at the Restoration of Capitalism p95

Long Live the January Revolution (traditional painting)  p36-37

A Poster Based on a Quotation from Chairman Mao  p58-59

Turning Shackles into a Sword (porcelain figure)  p84-85

Men Ho — Good Cadre Boundlessly Loyal to Chairman Mao’s Revolutionary Line p3

Comrade Men Ho Lives For Ever in Our Hearts (a poem) p26

Stories of Men Ho p32

Chairman Mao’s Statement Shakes the World — Hu Pi-kao p50

Black Americans, We Support You — Cheng Yen-ping p52

Hold Aloft the Great Banner of Armed Struggle p55

Visiting Shaoshan — Li Chih-kuo p57

Standing Guard for Chairman Mao — Chen Chao-erh p62

The Hearts of Frontier Guards Turn Towards Peking — Tang Ta-hsien p69

Sea-Shells and Seamen’s Hearts — Li Cheng p71

My New Album — Han Yu-chu and Wang Tien-jui p73

Putting to Sea — Luan Chi-tseng p75

Let Deaf Mutes Hear the Voice of Chairman Mao — Liu Jun-hua p77

An 8,000-Li Patrol — Pan Yu-kung p89

Heroic Revolutionary Fighters p96

Let Our Literature Propagate Mao Tse-tung’s Thought For Ever — Yu Hui-jung p107

Unfold Mass Repudiation, Defend Chairman Mao’s Revolutionary Line in Literature and Art — Hsieh Sheng-wen p116

Revolutionary Literature and Art Must Serve the Workers, Peasants and Soldiers p127

Chairman Mao on an Inspection During the Cultural Revolution (oil painting)  p54-55

A Red Guards’ Propaganda Team (gouache)  p76-77

Blaze New Trails, Socialist and Proletarian — Something New and Something Distinctive — Jen Wen-hsing p3

At the Foot of Hawks' Nest Mountain p14

Every Red Heart Turns Towards Peking — Chi Fu, Li Hung and Yin Chung p24

Heroic Mother and Daughter of the Grasslands p33

A Song of Victory on the Sanmen Gorge p41

Eighteen Years on the South Sea Frontiers — Yao Cheng-yu p49

The Bugle Call on the Himalayas — Yang Tse-ming p51

Stitching the Satchels — Chung Tze p53

Song of the Linesmen — Ku Shun-chang p55

Our Former Squad Leader — Hsiang Chi p58

I Ride My Eagle Ten Thousand Li — Sun Jui-ching p60

Put Doing to the Fore — Chu Jun-hsiang and Chou Chia-hu p63

Testing the Weapon — Chou Chi-hsuan p66

After the Rice Was Burnt — Hsun Yung-an p73

A Particular Feature of His Character — Chang Kai-teh p79

Mao Tse-tung's Thought Is a Beacon for Revolutionary Literature and Art — Chen Ping and Li Ming-hui p84

The Fundamental Task of Socialist Literature and Art — Sun Kang p87

We Shall Always Sing of the Red Sun in Our Hearts — Chou Kuo-yu p90

Literature and Art Must Serve Proletarian Politics — Hsia Lin-ken p93

Chairman Mao with the Red Guards (oil painting)  p40-41

Photographs of a Performance of Piano Music “The Red Lantern” with Peking Opera Singing  p62-63

Shock-Brigade (gouache)  p72-73

Every Mango Shows His Solicitude p13

Loyal Hearts a Great Wall — Tao Chia-shan p22

Delicious Peaches of Loyalty p24

Silver Hoes Carve Out Tachai Fields — Kuo Hung-ping and Chen Chih-kuang p27

Vast Areas Forge New Men p29

A New-comer to Tuchianshan Village — Hung Chin-chung p42

Be a Good Daughter of the Poor Herdsmen — Wu Hsiao-ming p51

To Become One with the Workers and Peasants — Keng Hui-chuan p60

The Lamp — Wu Yung-ping p68

For the Same Revolutionary Goal — Wang Cheng-yu p72

The First Item on the Programme — An Chun-chieh p76

Of One Mind — Fang Chih-hsien p81

Greet the New Era of Proletarian Revolutionary Literature and Art — Ting Hsueh-lei p84

A Brilliant Example of Making Foreign Things Serve China — Kao Chang-yin p96

Salesmen of Reactionary Western Culture — Hung Tsin-ta and Nan Hsueh-lin  p104

Every Mango Shows His Solicitude (gouache)  p12-13

Mao Tse-tung’s Thought Illumines the Theatre (gouache)  p50-51

Army and People Are One Family (wood-carving)  p80-81

Hail the Land All Red to the Very Last Shore — Yang Chun-ching p3

Golden Sunlight Over the Plateaus — Hung Chin-wen p6

Long Live the Victory of Chairman Mao’s Revolutionary Line! — Wu Hsueh-yun p9

Revolutionary Fighters Going to Stand Sentry — Wang Kuei-yao p11

To Fly for the Defence of Red Political Power — Tao Chia-shan p13

Liberated Serfs’ Hearts Turn Towards Chairman Mao — Hsueh Lien p16

A Magnificent Song of Triumph for China’s Working Class p24

A Working-Class Cadre p38

Masters of the Technological Revolution p46

Good Doctors for the Poor and Lower-Middle Peasants p56

Such Intellectuals Will Be Welcomed by the Workers, Peasants and Soldiers p67

An Unforgettable Voyage — Ting Lin-fa p78

Aunt Liang’s Dinner Party — Yu Jen p83

A Pair of Hemp-Soled Shoes — Hsu Hsueh-ho and Hou Kuei-sheng p90

Red Lanterns — Hung Liu p95

The Course of a Militant Struggle — Wen Wei-ching p97

Magnificent Ode to the Worker, Peasant and Soldier Heroes p107

Follow Chairman Mao Always and Advance in Storm and Stress (gouache)  p66-67

Before Starting Out on a Long March (painting in the traditional style)  p82-83

Mao Tse-tung’s Thought Is the Treasure of the Revolution (gouache)  p92-93

Chairman Mao’s Latest Instructions Spread — Tsai Yung-pin p60

Marching Song — Hsing Shu-ti p62

On to the Battlefield of Educational Revolution — Yung Chung-tung p66

A Living Lesson — Shih Hsueh-tung p71

Dockers Hail the Performance of “On the Docks” p73

Peasants Criticize the Revisionist Line in Literature and Art p81

Stage Photographs from “On the Docks” p32-33

Follow Closely Chairman Mao’s Great Strategic Plan (gouache) p80-81

Tireless Devotion to the People p3

He Is an Ordinary Labourer p19

An Epic Battle p28

On the Bright Road — Lung Wei-tung p40

Bright Lamp at Hsiapaio — Han Wen-mao and Chang Tsung-ming p49

Remember the Struggle Between the Two Lines — Jen Chi-chiang p51

Repudiation Meeting in the Workshop — Chang Chun-sheng p54

Angry Flames in a Mountain Village — Lu Feng p56

Dear Chairman Mao, Our Whole Family Can See You Now — Hung Yi-pin p58

Debate over a Piece of Land — Lo Chung-tung p69

A Beggar’s Gourd Bowl p77

Teaching Their Son to Prevent Revisionism p81

Workers, Peasants and Soldiers on "Shachiapang" p85

Lackey of Imperialism, Revisionism and Reaction; Renegade to Socialism — Chen Mou p92

Whom to Love, Whom to Hate — Ying Ping p97

Chairman Mao Is Here on Our Battleship (gonache) p18-19

Tsai Yung-hsiang Dies to Rescue a Train (painting in the traditional style) p84-85

Chairman Mao Gave Her a New Life p3

A Song of Triumph over the Yangtze p31

The Red Sun in Their Hearts Melts the Mountain Ice p41

Song of Praise to the Red Sun — Wang Hsueh-yen p47

Red Sun Glowing in the Heart — Chin Hsu-shung p50

Red Hearts For Ever Dedicated to the Party — Yung Kuo-feng p52

Put Politics in Command to Mine the Coal — Hsiao Yen p54

We'll Paint the Spring of Our People's Commune — Ma Cheng-chung p57

The Story of Protecting Chairman Mao's Portrait p59

The Red Sun Lights Up Old Granny's Heart — Yung Sung-tung p63

Hearts of Soldiers and People Always Linked Together p67

The Refund p71

An Appreciation of the Ballet "The White-Haired Girl" p75

LITERARY CRITICISM AND REPUDIATION

We Are History's Witnesses p87

Unmask the "Leader of the Workers' Movement" p92

Sailing the Seas Depends on the Helmsman (gouache) p40-41

Making Revolution Depends on Mao Tse-tung's Thought (woodcut) p62-63

A Stage Photograph from the Ballet "The White-Haired Girl" p74-75

A Eulogy to the Red Sun — Chang Hung-hsi and Chen Yen p15

Sailors' Hearts Turn to Chairman Mao — Wang Pao-hsing and Liu Yu-cho p20

Our Songs Ring Forth on Tien An Men — Lu Meng p22

The One Dearest to the Soldiers' Hearts — Yang Teh-hsiang p24

How the Old Poor Peasant Set Up a School p26

"Long Live Chairman Mao!" p38

A New Arithmetic Lesson p42

A Class on Fertilizer p46

Red Vests p50

New Type Doctors in the Miaoling Mountains p53

Dockers Create a Miracle p61

Mao Tse-tung's Thought Speaks for the Dumb p65

The Most Intelligent and Daring People p70

A Great Victory in "Making Foreign Things Serve China" — Wu Hsiao-ching p78

Sinister Exemplar of Liu Shao-chi's Theory "Exploitation Has Its Merits" p87

Stage Photographs from the Ballet "Red Detachment of Women" p14-15

Where the Red Sun Has Risen (painting in the traditional style) p60-61

Soldier Comes to Tien An Men — Yu Tsung-hsin p3

Long, Long Life to Chairman Mao — Yang Shao-tung p5

Chairman Mao Is the Golden Sun — Wang Hsi-cheng p6

Emancipated Serfs Long for Chairman Mao — Chhamed Wadan p7

Song of New Horizons — Chi Nien-tung p61

My First Lesson — Han Ching-ting p64

A Letter to Mama — Hsiung Tao-heng p67

Special Express p71

A Night in the Snowstorm — Cheng Hai-fa p78

Charcoal to Cherish the People p82

Cabbage to Support the Army p85

A Soldier and an Old Woman — Sha Hung-ping p89

A Red Station for Soldiers — Huang Fan and Chao Chun-wu p91

Mao Tsetung Thought For Ever Sheds Its Radiance p94

Chairman Mao Leads the Workers’ and Peasants’ Red Army to the Chingkang Mountains (oil painting) p70-71

A Stage Photograph from “Taking the Bandits’ Stronghold” p84-85

Jubilation Throughout the Land p108

In Praise of Chairman Mao — Kuo Chih-chiang and Chang Chi-lu p120

To the Red Sun — Yu Tsung-hsin p123

Ode to Shaoshan — Li Chih-kuo p128

Eternal Bamboos of Chingkang — Chu Chia-li p130

Advance Courageously Close Behind Chairman Mao — Chang Chin-tung p132

Wait a Minute, Bator! — Batu p134

The Party’s Bounty Reaches to the Stars — Ho Ching-lin p136

Glad Tidings on the Vast Wind Ride — Kuo Hao p138

Standing Guard for the Ninth Congress — Yang Hung-li p141

Put Mao Tsetung Thought in Command of Literature and Art — Hung Chun-wen  p143

Painting a Magnificent Scroll on People’s War — Hung Wen and Hsueh Ching  p152

Closely Follow Our Great Leader Chairman Mao and Advance Valiantly (gouache)  p122-123

Chairman Mao and Vice-Chairman Lin Piao Receive the Representatives of the Workers (oil painting)  p142-143

Stage photographs from revolutionary model theatrical works  p148-149

Complete "Selected Works of Mao Tsetung" Published in Spanish p3

Chairman Mao's Good Pupil, Chiao Yu-lu p4

Celebrating the Ninth Congress at Our Heating Furnace — Huang

Wan-li p73

Sunshine Floods Balengsai — Hung Lin p75

Unite, Drive Forward — Lu Hsiang p77

Moistened by Rain and Dew, Young Crops Grow Strong p79

Red Artist-Soldiers and the Revolution in Fine Arts Education p87

Chairman Mao Comes to Our Commune (oil painting) p72-73

To Live and Die for the Revolution p11

Only Heroes Can Quell Tigers and Leopards, And Wild Bears

Never Daunt the Brave p32

New "Foolish Old Man" in the Wangwu Foothills p45

Conquering the Tidal Waves p61

Raising Seedlings p71

Comments on Stanislavsky's "System" p82

The Internationale p100

The East Is Red p101

Sailing the Seas Depends on the Helmsman p102

We Are Marching on a Broad Highway p103

Singing of the Socialist Motherland p105

Chairman Mao with the People of Various Nationalities (oil painting) p10-11

Chairman Mao Visits the Shanghai Machine Tools Plant (oil painting) p70-71

Singing a Song to Chairman Mao — Tan Szu-cheng p25

A Long, Long Life to Chairman Mao — Leng Ai-feng p27

Speed Towards the Red Sun — Lai Chih-huan p29

Eagles, Warmed by the Sun — Pang Shih-chung p32

For Ever Loyal to the Red Commander — Li Hui p34

Single-minded Devotion for the Revolution and the People p36

A Communist Full of Revolutionary Vigour p50

Valiant PLA Fighter Ning Hsueh-chin p57

Deaf-Mutes Can Speak Now p68

Ten Sunflowers at the Foot of the Bayin Mountains — Pei Kuo-hung p79

Snowy Mountains Temper Loyal Hearts p91

A New Radar Station p96

Models in Depicting Proletarian Heroes — Shen Hung-hsin  p103

Sailing the Seas Depends on the Helmsman — Wang Shuang-yin  p115

A History of Blood and Tears  p121

Who Are the Makers of History?  p142

We Will Not Attack Unless We Are Attacked; If We Are Attacked, We Will Certainly Counter-Attack (gouache)  p24-25

Art Works from the Three Stones Museum in Tientsin  p120-121

Dawn Came and the Workers Rise in Struggle (oil painting)  p140-141

Sunlight Gilds the Bridge — Fei Li-wen p3

Tachai Continues to March on p13

Chairman Mao Has Liberated the Kulsangs p25

Red Flowers on the Ice-Bound Plateau p35

Heroic Sisters on the Grassland (an animated cartoon in colour) p45

Pretty as a Picture Is Our Commune — Chang Ching-shan p63

Today I’ll Visit Shaoshan — Yang Mei-sheng p66

New Scenes on the Screen — Liu Hsi-tao p68

A Bamboo Flute — Wei Pao-chun p70

Crossing Chungchou Dam at Night — Hung Chung-yen p72

Sturdy Pines on the Island — Ni Mei-lin p76

Drawn from Life, but on a Higher Plane p81

Brilliant Example of the Revolution in Peking Opera Music p93

Militant Art, Revolutionary Friendship — Hung Wen p105

Always Prepared to Annihilate the Intruders p42-43

Photographs from “Heroic Sisters on the Grassland” p62-63

Ten Years in the Countryside p44

A New Family p71

Sunflowers Turn Towards the Sun — Chi Hsiang-tung p82

Crossing Barren Ridge at Night — Cheng Hsuan p88

A Reactionary Novel Which Commemorated an Erroneous Line p93

More Criticism of "Morning in Shanghai" p110

Chin Hsun-hua — Chairman Mao's Red Guard (gouache) p30-31

Carrying on the Yenan Spirit for Ever p92-93

An Eagle of the Snowy Mountains p3

Workers and Peasants Have Risen in Their Millions to Fight as One Man p19

Striding into the Seventies — Shao Hsueh-wen p55

Freshest in the Changpai Mountains — Sun Shu-fa p57

Pneumatic Drill So Militant — Chen Yang p59

Revolutionary Emulation Campaign — Tso Tsung-hua p61

Taming the Chestnut Horse — Chao Ying-lin p64

An Old Couple Vie As Revolutionaries — Yung Chung-tung p70

An Enthusiastic Veteran Cadre p74

With All Their Hearts They Serve the People p80

Shaoshan Pines Ever Green — Po Nan p84

Spring Comes Early to the Tien-shan Lake — Lin Mu-chin p89

Flames Ablaze — Nan Hung-wen p94

On Lau Shaw’s “City of the Cat People” p98

Stills from “A Cock Crows at Midnight” p38-39

Yenan (woodcut) p88-89

A Fine Proletarian Fighter p3

Making Revolution with Three Cauldrons p25

A Fighter of Steel Continues the Revolution p40

In the Tachai Spirit p53

To Great Chairman Mao p64

The Era of Chairman Mao p65

Of Infinite Power Is Mao Tsetung Thought p66

Mao Tsetung Thought Study Classes Are Fine p67

Take the Chingkang Mountain Road p68

Following Chairman Mao Means Victory p73

Making Revolution Depends on Mao Tsetung Thought p77

Tung Tsun-jui p85

Huang Chi-kuang p87

Yang Yu-tsai p91

Revolutionary War Is Excellent p95

The Tillers' Troupe p108

Wang Kuo-fu (oil painting) p24-25

Shaoshan (woodcut) p82-83

A Return to the Skies p47

“Barefoot” Doctor p58

A Youthful Old Man in the Wuling Mountains p69

In Praise of Lei Feng — Yang Chin-fan p84

Master Chen’s Treasure Trove — Hua Fang p87

With the Morning Sun in Their Hearts — Chen Hao-chun p90

The Spring Breeze Carries Good News — Li Hsin p92

The Battle Drum Urges a New Leap Forward — Li Chung-heng p94

Selling Rice — Ching Hung-shao p96

A Gleaming Mail Route — Yang Ming-chih p103

Tempered in the Turbulent Waves — Pan Ning p107

Comrade E.F. Hill Praises China’s Model Revolutionary Theatrical Works p111

Singing Battle Songs, Boldly Press On — Niu Chin p114

The Stagecraft of a Model Revolutionary Opera — Shu Hao-ching p119

Be a Peasant All My Life p68-69

Be Sure to Destroy the Enemy Flying Marauders p118-119

Remould World Outlook p3

The Red Lantern (May 1970 script) p8

Struggle for the Creation of Typical Examples of Proletarian Heroes p53

Magnificent Ode to People’s War — Ting Hsueh-lei p70

Heroic Images of a Great Era p81

Hsu Tu-lo — an Ardent Revolutionary p83

Shaoshan Water — Hua Shan p98

The Menders — Wan Lin-hsing p100

I Gaze Towards Peking from the Shop — Peng Yu-teh p102

Always Follow the Party and Make Revolution — Liu Chien-kuo p104

To West Hunan We Roll — Liu Hsin-hua p106

Stage photographs from “The Red Lantern” p30-31

Charge to the Last Breath (gouache) p80-81

A Tireless Revolutionary p3

The Big Hammer Spirit p15

Red Heart and Steel Bones p24

Who Fears the Tempest? p39

Chairman Mao’s Statement Is a Beacon — Chun An-min p51

People of Five Continents Line Up in the Same Trench — Chao Nai-hsin p53

Wind and Thunder in Our Workshop — Chang Hsing-lien p55

Hail the Splendid Red May — Lu Hung p57

Singing of Our Dear PLA — Kuo Teh-huei p58

I’m Only Doing What Chairman Mao Teaches — Chi Yung-fang p62

A Pair of Gloves — Pang Li-chin p68

New Year’s Eve — Chang Hsiang-yang p72

Always Marching Along the Road of Serving the Workers, Peasants and Soldiers p77

The Red Army Led by Chairman Mao Is an Army of Heroes — Chung An p90

Be prepared against war, be prepared against natural disasters, and do everything for the people. p14-15

Shaoshan (lacquer painting) p76-77

Builder of Bridges p3

The First Shot Is Fired — Chao Ping-ching and Chin Chang-lin p41

Worker with a Loyal Heart — Hsiang Chun p48

The Giant Marches On — Hung Yun-ping p59

Seeing Off the Secretary — Chen Yang p72

Party Constitution in Hand the World I View — Han Tsung-shu p76

Glorious Flower to My Comrade-in-arms — Kung Jung p78

A Story of Sino-Vietnamese Friendship 80

Unforgettable Days in Shihchiachai — Yen Teh-ming p84

A Thousand Li of Snow Line — Chou Yung-lu p90

Heroic Songs of the Working Class p95

The Yangtse River Bridge at Nanking (water-colour painting) p40-41

A Chinese Medical Worker in an African Village (lacquer painting) p58-59

Ten Stirring Days — Fei Li-wen and Hsieh Ping-suo p96

Down the Golden Road — Chao Tzu and Yao Ke-ming p102

A Blank Application Form for Party Membership p108

Water — Wang Ming-fu and Kung Chih-hsiung p119

Wishes — Chu Chang-sheng p124

The Road of Truth — Pien Hung p127

Stage photographs from “Red Detachment of Women” p80-81

Two Brothers Study Philosophy p3

Plant Peanuts Scientifically — Yao Shih-chang p18

A Story of Duck-Tending — Chen Lai-an and Yen Ming-yu p27

Political Leader of the Team p32

Devoted to the People p45

Uncle Green Pine — Liang Kuang-chun p57

A Lively Class — Hsu Hung p62

Golden Key — Wang Chia-lin p66

A Philosophy Lesson in the Fields — Hsu Ta-lin p70

The Regimental Commander Comes to the Mine — Chen Yang p74

The Map in Our Shop — Tien Chang-fu p77

A Veteran Worker Sees Me Off to University — Liu Yuan-sheng p79

Delivering Goods to Workers’ Homes — Chien Hung-chun p82

A Militia Team — Wu Yen-mei p84

The Colour Film “Taking Tiger Mountain by Strategy” — Yu Chou-hung p86

Expose the Plot of U.S. and Japanese Reactionaries to Resurrect the Dead Past — Tao Ti-wen p95

Waiting for Chairman Mao’s New Directive (New-Year poster) p44-45

Don’t Forget Class Oppression! (traditional painting) p94-95

Good Daughter of the Party — Wen Tzu-pien p3

Leader of the Hsiatingchia Production Brigade p31

The Flame of Youth p42

Discussion Meeting — Kung Pin p48

Two of Us — Chen Ching-yun p51

A Girl Mail Carrier — Sun Lai-chin p53

The Driver's Whip — Sun Lai-chin and Chen Hung-shan p55

Red Hearts and Green Sprouts p58

My First Lesson — Chang Tao-yu p66

Making the Grade — Hung Tieh and Chi Ke-wen p72

A Philosopher in the Fields — Hung Lei p77

Sing Battle Songs p82

Aggressors Are Under Fire Everywhere — Hsin Wen p87

A Refutation of the Theory of “Literature and Art for the Whole People” — Hung Chen p95

Chairman Mao on a Warship (oil painting) p76-77

The Spring Wind Blows Amid Ten Thousand Willow Branches (traditional painting) p86-87

Spring Comes to the Battlefield — Chin Chao-hui p3

More About Comrade Hu Yeh-tao p16

A Young Battalion Commander p28

Third Time to School — Lu Chao-hui p37

Raiser of Sprouts — Chang Wei-wen p47

Our Olunchun Girl — Yu Tsung-hsin p58

The Golden Bridge — Hsiung Ping p61

Loving Care of Poor Peasants — Chang Chao-shun p64

The Film Boat — Chien Kang p66

A Night in “Potato” Village — Tai Mu-jen p68

Daughter of the People — Li Yin-ko p77

Strike Roots in the Grassland — Ma Ying p84

Two Ears of Rice p91

Of One Family — Chiang Kuei-fu p100

Model Communist Youth Leaguer Hu Yeh-tao (oil painting) p18-19

Wang Ying-chou Saves His Comrade-in-arms (sculpture) p36-37

Date Garden of Yenan (traditional painting) p46-47

Yenan (traditional painting) p60-61

Women Heroes of Viet Nam p31

Vietnamese Heroes Ridicule U.S. Paper Tiger p35

Changes in Xoai Kho-Chay — Sisophan p38

An Iron Fighter — Kham Man p41

Red Flags at the Foot of Fujiyama p46

Forever Forward p49

The Iron Girl — Wan Shan-hung and Hung Tieh-shan p59

Seeing Our Veteran Worker Off to Peking — Chang Hung-hsi p67

Love Between Armymen and Villagers — An Peng-hsiang p69

The Perennial Pine — Fan Yung-sheng p71

The Mountain Road — Chen Yang p73

Uncle Tung — Lin Tou-tou p75

My Native Village Has Completely Changed — Kao Yu-pao p81

We Must Be Prepared — Chang Yu-lin p89

The Conch Horn Sounds — Li Ju-chang p98

A Film of Great Beauty — Ting Yuan-chang p101

Chairman Mao Investigating in the Chingkang Mountains (traditional painting) p58-59

Shelling a Chiang Kai-shek Pirate Gunboat (oil painting) p74-75

Ready to Fight (gouache) p88-89

The Principles of the Paris Commune Are Eternal p3

Battle Flag (a poem) — Yu Tsung-hsin p7

Salute to the Literature of the Paris Commune — Hua Wen p15

New Heights — Wu Chin-chieh p21

Red Hearts and Green Seas p44

The First Step 50

A Drawing — Chiang Ying p59

All My Life for Our New Countryside — Chang Hsiu-keng p66

An Old Man Studies Chairman Mao’s Works — Lolao p76

Learn from Lu Hsun; Repudiate Revisionism — Chou Chien-jen p81

The Red Sun Over Yenan (painting in the traditional style) p58-59

Another Enemy Plane Downed (woodcut) p80-81

Our Highland Postman — Hung Yen p55

The Old Shift Leader — Chi Chen-hsi p57

Night Ferry — Shung Tse-chung p60

Half the Population — Yin Yi-ping p62

Azure Blue — Hsiao Ma p69

He Lives For Ever p81

A Heroine of the Grasslands p89

Hero or Renegade? — Hsiao Wen p96

Happy Occasion (oil painting) p54-55

During the Yenan Days (painting in the traditional style) p68-69

Studying Chairman Mao’s Works (gouache) p80-81

Luting Bridge (painting in the traditional style) p88-89

Spring Rain — Liu Shu p65

Night in Spring — Yang Teh-hsiang p67

Songs of the May 7 Fighters — Yun Huang p69

Everywhere a Picture of Spring — Hsin Jan p73

Higher Demands — Sun Hsiao-ping p75

Veteran Worker Liu — Shen Hsiao p84

My Song Speaks My Heart p89

A Red Heart for Chairman Mao p91

The East Wind Carries My Songs Afield p93

A Silver Dollar — Wang Hsiao-lung p96

The Days Past p102

She Sings on the University Platform p112

Fight On till Victory! p117

On the Eve of a Decisive Battle (oil painting) p56-57

The Village “Tanchiping” in Chiahsien County (painting in the traditional style) — Tao Yi-ching p64-65

The First Party Cell at Shaoshan (oil painting) p74-75

Wresting Land from the Sea (oil painting) p88-89

Stories

A Madman’s Diary p3

The New Year’s Sacrifice p15

Essays

In Memory of Miss Liu Ho-chen p34

“Fair Play” Should Be Put Off for the Time Being p40

Thoughts on the League of Left-wing Writers p49

Aunt Tangerine — Chen Pei p68

A Book Marker — Tsui Ho-mei p71

Underground Treasures — Peng Mao-hai p74

A Basket of Sand — Wang Chun-chuan p76

A Letter — Chen Hung-shan p85

“National Defence Literature” and Its Representative Works — Chung Wen p91

Red Guards from the Grasslands See Chairman Mao p105

The Red Army Led by Chairman Mao Arrives in North Shensi After the Long March (oil painting) p54-55

Chairman Mao with the Peasants in Kwangtung (oil painting) — Chen Yen-ning p70-71

Red Flag Canal (painting in the traditional style) — Pu Sung-chuang p84-85

Night over Tien An Men (lacquer painting) p90-91

The “Demon of Demolition” p3

The Younger Generation — Tai Mu-jen p24

Where the Sunghua River Flows — Chi Hsin p32

Old Hates in New Port p47

East Wind Over Pohai Bay p61

Grandpa Amali’s Gift p75

The Water Carriers — Chang Lu p77

Little Sea-born Sailor — Hung Hai-sheng p79

New Archaeological Finds — Hsiao Wen p82

A New Sculpture p94

On the Reactionary Japanese Film “Gateway to Glory” — Tao Ti-wen p95

Power Station on the Hsiang River (painting in the traditional style) — Tien Shih-kuang p70-71

Historical Relics Unearthed During the Great Proletarian Cultural Revolution p82-83

Onslaught on the Aggressors (sculpture) p94-95

A Detour to Dragon Village — Ho Hsiao-lu p45

A New Commune Member — Yeh Wen p55

Here Comes Our Cavalry — Li Chun p62

Spring Amid the Woods — Sun Lai-chin p64

Seeing Dear Ones Off Along the Canal — Hsueh Chun p66

The Craftsmen — Li Chih-ching p68

A Little Hero to Remember — Li Chih-kuan and Chang Feng-ju p70

Peking Opera “Shachiapang” — the Screen Version

With Gun Firm in Hand — Hai Chen p101

An Able Underground Liaison Worker — Yang Chun-ching p103

A Revolutionary Mother — Tung Feng-wen p105

In Praise of the Korean People’s Fight Against Aggression — Hsin Wen-liang p107

Long Live Chairman Mao! p118

Red Sun over the Oilfield (coloured woodcut) p44-45

Shaoshan (painting in the traditional style) — Li Ko-jan p54-55

Studying the Works of Chairman Mao (New-Year picture) p68-69

The Third Battle p5

Medicine — Lu Hsun p29

My Old Home — Lu Hsun p39

Three Poems — Kuo Mo-jo p50

The Case of the Missing Ducks — Hu Hui-ying p53

Windows — Yeh Wen-yi p68

The Switchman — Sun Chu-chang p75

Friendship in Full Bloom — Chi Peng p78

Chairman Mao Visits Our Ship — Wang Hsing-kuo p80

Scene on a Birch Tree — Yu Tsung-hsin p83

Militia Women on Tungting Lake — Cheng Fan and Chuan Yeh p85

The Mountain Postman — Liang Wen-cheng p87

Militant Songs and Dances from Romania — Hu Wen p89

Revolutionary Japanese Ballet — Shih Nan p93

New Writings by Workers p98

Friendship Among the Table-Tennis Players (water-colour painting) — Tung Chen-sheng p26-27

Two Welders (oil painting) p74-75

Newspaper Reading (painting in the traditional style) — Yu Chih-hsueh p84-85

Plum Blossoms Welcome the Whirling Snow (painting in the traditional style) — Tien Shih-kuang p92-93

Liu Hu-lan — Tsin Ching p15

The Militia Sentry Post — Cheng Tsung-chang p71

Footprints — Hou Chin-ping p72

The Chingkang Mountains — Su Chi-hsiung p74

The Taching Spirit Radiates Far and Wide — Tao Chia-shan p76

Snow Lotus — Chien Pei-heng p81

A Song of Friendship — Yen Tso-yi p89

The Route — Cheng Cheng and Kung Ling-wen p97

Art Recreated — Ah Jung p102

A Revolutionary Committee Member (oil painting) — Tang Hsiao-ming p14-15

Militiamen (oil painting) — Teng Kuang-pao p70-71

Yenan (a wood block print) — Chien Sung-yen p88-89

Ode to "The Internationale" — Chou Li-yi p49

Song of Discipline — Tsao Yung-hua p51

Fighters on Sleds — Yu Tsung-hsin p54

On Duty at Harvest Time — Chu Feng p56

Look Far, Fly Far p58

Storms in a Mountain Village — Lin Nan p71

The New Captain — Chang Tao-yu and Chang Cheng-yu p79

A Story About Swords — Chen Erh p92

A Newcomer (painting in the traditional style) — Yang Chih-kuang p48-49

How Green Are Our Fields (painting in the traditional style) — Chien Sung-yen p70-71

New Carvings p78-79

The Call — Chu Yu-ming p3

Bright Clouds — Hao Jan p13

The Pulse — Hsiao Shih p28

Training a Doctor — Hou Chih p37

A Precious Souvenir — Li Hsueh-ao p46

The Luncheon — Lu Hung p52

Spring Flowers in Full Bloom — Chou Cheng-min p54

Forced March p55

Willing Guide p57

Giant Shoes p59

Li Po and Tu Fu as Friends — Kuo Mo-jo p61

In Praise of the Heroic Vietnamese p95

Sailing Down the Yangtze Gorges (painting in the traditional style) — Li Liu p12-13

Loushan Pass (painting in the traditional style) — Li Ko-jan p36-37

Spring Comes to Kweilin (painting in the traditional style) — Tao Yi-ching p54-55

Determined to Defeat U.S. Aggressors (poster) — Do Xuan Doan p60-61

The Bridge at Ham Rong (woodcut) — Vu Giang Huong p94-95

Spring Comes to the South — Hung Shan p99

Little Kunlun — Wang Tsung-jen p109

Overnight at Red Flower Village — Fang Shuo-chung p115

A Great Programme for Socialist Literature and Art — Shih Ta-wen p120

A Cultural Work Team on the Plateau — Ai Hung-liu p129

On a New Front p138

Light Cavalry of Culture — Hsin Hua p143

Stage Photographs from "On the Docks" p68-69

Cutting an Irrigation Ditch Through the Mountain (oil painting) p98-99

Working on a Live Wire (oil painting) — Yuan Hao p114-115

Studying Chairman Mao's Works (painting in the traditional style) — Yu Chih-hsueh p128-129

The Ford — Yi Ling-yi p69

The Ordnance Survey Corps — Hsin Ping-chan p71

Our Herbalist — Cheng Ming-wan p73

The Fisher-girl — Chi Wen p75

The Train Attendant — Yuan Ming-yun p77

The Ferry at Billows Harbour — Fang Nan p79

Home Leave — Hsueh Chiang p94

An Opera on Proletarian Internationalism — Wen Chun p101

How I Became a Writer — Kao Yu-pao p111

Meeting “Haguruma” Artists p118

Morning in Nanking (painting in the traditional style) — Chen Te-yu and Fan Pao-wen p68-69

A Militia Girl (painting in the traditional style) — Yang Chih-kuang p78-79

Off to Work (painting in the traditional style) — Liu Ping-heng, Chang Wen-tao and Chen Kai-ming p100-101

A Ping-pong Match After Class (painting in the traditional style) — Wang Wei-pao and Hsiao Yao p110-111

Aunt Hou’s Courtyard — Hao Jan p75

A Shoulder Pole — Yeh Chang-kuei p85

From Our Tea Plantation We Gaze Towards Peking (poem) — Hung Lin p93

About the Film “The White-Haired Girl” — Sang Hu p96

Hsi-erh’s Indomitable Spirit — Mao Hai-fang p100

A Heart Burning with Revenge — Shih Chung-chin p103

Taking up Arms — Ling Kuei-ming p106

Three Blows with the Shoulder Pole — Tung Hsi-lin p109

A Glorious Task — Liu Chun-hua p112

The Folk Song “Wild Lilies Bloom Red As Flame” — Chin Wen-yi p119

Wild Lilies Bloom Red As Flame (Shensi-Kansu folk song) p122

Stage Photographs from “Song of the Dragon River” p16-17

The Line Is Repaired (painting in the traditional style) — Luan Wan-chu and Wen Chung-hsun p52-53

The First Oil Well (woodcut) — Chao Mei p60-61

The White-Haired Girl (a film in colour) p102-103

Selections from "Jujube Grove Village" — Li Ying p25

Weaving Baskets ~ Trying Out the New Canal ~ Home Leave ~ Echoes of Laughter~Passing the Orchard

Little Passengers — Yao Ke-ming p38

Can Pumpkins Lay Eggs? — Chang Teng-kuei p51

Sending Back a Lost Horse — Lung Chiang-hua and Wang Ku p63

A Slip of a Girl — Liu Chi p74

Red Army Bridge — Lo Shih-hsien p84

The Old Hunter of Grey Rock Farm — Hung Shan p95

Heroic Wangchiawan Village — Li Jo-ping p107

Red Lantern in the Rain — Hsi Ming p112

A Fisherman Songster — Kai Hsieh p118

On "Jujube Grove Village" — Chou San p126

Selected Works from the National Fine Arts Exhibition p24-25

Literature and Sweat p4

Literature and Revolution p6

The Revolutionary Literature of the Chinese Proletariat and the Blood of the Pioneers p10

On the "Third Category" p13

Notes After Reading (2) p19

Writing for the Revolution — Li Hsi-fan p21

Story of a Red Star — Li Hsin-tien p35

The "Green Whirlwind" — Ku Hua p74

The Peach Orchard — Yung Chuan p88

Home — Yang Teh-hsiang p92

Forest Surveyors — Chang Kuang-hai p94

Spring in the Changpai Mountains — Chang Kuang-kai p96

A Wooden Board p98

Lu Hsun and His Japanese Friend — Kuang Yu p103

The History of a Sketch Map 107

Lu Hsun and Fang Chih-min — Hao Ko p111

Thinking of Yenan — Shih Yi-ko p115

Fearless as a Mountain Eagle — Lin Ching-tang p118

Glorious Flower of the Highlands — Chang Chao and Yu Lei-ti p123

Never Cease Fighting (oil painting) – Tang Hsiao-ming p20-21

The Red Sun Warms Generation After Generation (painting in the traditional style) – Kang Tso-tien p34-35

Golden Autumn (Hushsien peasant painting) – Chung Lin and Feng Hou-wa p102-103

The Cotton Harvest (Huhsien peasant painting) – Li Feng-lan p106-107

Commune Members Love the New Operas (Huhsien peasant painting) – Ting Chi-tang p110-111

Fisherfolk (coloured woodcut) – Ou Huan-chang p122-123

In the Forest — Sun Chien-chung p3

Coastguards — Yeh Wen-yi and Ling Tung p21

When the Persimmons Ripened — Ko Niu p33

Making Straw Hats — Chao Jih-sheng p43

The Work-Shed — Chang Yung-chuan p46

The Wild Swan — Chang Pao-sheng and Ku Li-li p48

Embroidering the Spring p51

Overheard in a Mountain Village — Sung Wen-chieh p106

Our Repair Shop — Wu Hsiao p109

Tiger-Cub Squad — Yao Ling-yi p53

On Work Site No. 6 — Hsiao Chan p69

Uncle Busybody — Yang Hsueh-peng p90

A Reserve Fighter — Fang Li-chang p99

Song of the Dragon River — Pei Kuo p113

Discovery of a 2,000-Year-Old Tomb — Wen Pien p121

Wall of Iron (oil-painting) — Chin Wen-mei p20-21

Yangshuo Landscape (painting in the traditional style) — Li Ko-jan p32-33

By the Iron Chain Bridge (painting in the traditional style) — Chao Chih-hua, Shan Ying-kuei and Wang Chin-yuan p68-69

Transporting Lumber (coloured woodcut) — Chen Tsu-huang p98-99

Cultural Relics from Ancient Han Tomb p120-121

The Second Essay — Li Hua-lan p3

The Bridge — Hsia Jen-sheng p10

Mother — Sun Ching-jui p15

The New Company Commander — Tsao Cheng-lu p22

River Patrol — Jen Pin-wu p34

A Matter of Principle — Hou Shu-huai p44

An Old Eighth Route Armyman Comes to Yenan — Lu Yao and

Tsao Ku-chi p55

Clear Springs in the Ordos Desert — Chang Chih-tao p59

The Raftsman — Li Kuang-yi p63

Weaver’s Song — Tsui Cheng-chu p66

Sentry Box Window — Li Chun p67

Many Hands Plant Flowers of Friendship — Chin Ko p89

Friendship and Unity — Wen Pien p91

Written Deep Underground — Li Hsueh-ao p93

Spring Comes to the Mines — Li Hsueh-ao p97

The Sand-Sprinkler — Kai Sheng p69

The Eaglet Spreads Its Wings — Chuang Chih-ming p79

New Puppet Shows — Wen Shih-ching p102

Innovations in Traditional Painting p106

Creating New Paintings in the Traditional Style — Chien Sung-yen p111

Kung I-chi p3

A Small Incident p9

In the Tavern p13

Intellectuals of a Bygone Age — Li Hsi-fan p24

The Track — Fu Tzu-kuei p32

The Roadside Inn — Mo Ying-feng p39

Sister Lung — Yu Yu p46

Red-Heart Plum — Hsin Jung p53

The Grassland — Li Chun p61

Delivering Grain — Kung Wei-kun p63

Olunchun Folk-Song p65

Night in the Hills — Yen Yi p85

The Sugar-Cane Plantation — Yen Yi p87

Gun-Running — Li Chin-hua p66

Clay Sculpture — Li Kuang-wen p90

New Lacquer Handicrafts — Huang Yun p95

New Clay Sculptures p90-91

Red Vase (lacquerware) p98-99

Songs of Army Life — Wang Shih-hsiang p63

A New Comrade-in-Arms — Lu Hsuan p73

On Patrol — Lin Po-sung p83

The Ferryman — Hsiao Hsing p90

On the Banks of the Peacock River — Ting Hsiu-feng p95

New Developments in Handicraft Arts — Pien Min p100

Two New Ivory Carvings — Pien Chi p105

A Soldier and a Poet — Liu Kuo-liang p108

Spring (painting in the traditional style) — Kuan Shan-yueh p62-63

Holiday at the Commune (painting in the traditional style) — Lin Feng-su p72-73

Hunting Whales (coloured woodcut) — Chia Teh-hsin p82-83

New Handicraft Arts p94-95

Cipher Officer — Ting Tzu-ping p3

The Commune’s Choice — Wang Shih-mei p13

Ninety-Nine and One — Tsou Chung-ping p26

When the Party Secretary Showed Up — Yao Keh-ming p36

Story of a Flute — Chang Ping p55

A Lumber Dispatcher — Sui Hung-tzu p63

Lota River — Sun Chien-chung p70

One Big Family (a clapper-ballad) — Wang Fa and Chu Ya-nan p75

Camping in the Snow (a comic dialogue) — Chang Feng-chao and Tiao Cheng-kuo p83

New Items on the Peking Stage — Chi Szu p91

How We Produced “Women Textile Workers” p99

Testing the Line (oil-painting) — Pan Chia-tsun p12-13

Like One Big Family (coloured woodcut) — Lin Po-yung and Ah An-hsun p62-63

Summer Harvest (woodblock print) — Chiang Chun p74-75

A Vignette of Hsishuangpanna (painting in the traditional style) — Li Hu p90-91

The Breathing of the Sea — Shih Min p55

Three Young Comrades — Wang An-yu p63

Our Mother of the Mountains — Li Ying p73

The Old Ferryman — Chang Yung-hsuan p76

The Island Spring — Kung Wei-kun p78

Lights from Fishing-boats — Liu Kuo-liang p80

Cotton-Bolls Galore — Ching Chih p81

Selling Pigs — Ma Chun p93

Never-Give-Way — Chao Wen p99

Thoughts on the Woodcut Art p106

A Bronze Horse from a Han Tomb — Chang Shu-hung p112

Songs and Dances from Romania — Chen Chih-hung p116

Stage Photographs from “Raid on the White Tiger Regiment” p18-19

A Chingpo Girl Goes to College (oil-painting) — Cheng Li p62-63

Leaving the Village (coloured woodcut) — Liao Tsung-yi, Wang Yuan-wen, Wu Pang-sheng and Kao Lin-sheng p92-93

A Bronze Horse from a Han Tomb p112-113

An Artist’s Dilemma — Feng Chang p3

Always a Step Ahead — Sun Yi and Liu Cheng p11

Close as Brothers — Li Chan-heng p25

Camel Bells — Chang Chan-ting p32

Herding Horses in the Snow — Tung Chia-tung p35

Spring Comes to the Commune — Li Kuang-yi p37

Iron Ball (excerpt from a novel) — Chiang Shu-mao p39

Two Poems — Chang Yung-mei p91

A New Style of Bamboo Painting — Cheh Ping p96

Going to a Patient (oil-painting) — Chang Chang-teh p24-25

A Village Bookstall (gouache) — Huang Chi-shih p36-37

Keeping Chickens (painting in the traditional style) — Teng Chao-kuei p90-91

Bamboo Harvest (painting in the traditional style) — Yao Keng-yun, Fang Tseng-hsien and Lu Kun-feng p96-97

Preface to "Call to Arms" p3

Preface to "Three Leisures" p9

Preface to "Two Hearts" p14

Preface to "Demi-Concession Studio Essays" p18

Half a Basket of Peanuts (a Shaohsing opera) p21

A Young Hopeful — Hao Jan p45

Travelling Companion — Liang Fan-yang p57

Guerrilla Contact Station on the River — Yang Chung p69

Two Songs — Chi Peng p41

Manoeuvres in the Desert — Lei Shu-yen p85

Landmarks in the Life of a Great Writer — Li Hsi-fan p93

How the Opera "Half a Basket of Peanuts" Came to Be Written — Chen Hua p102

Chairman Mao and Eighth Route Youngsters (oil-painting) — Chin Wen-yi p44-45

Practising Acupuncture (traditional Chinese painting) — Cheng Shih-fa p56-57

Camellia (traditional Chinese painting) — Tang Yun p84-85

Spring in the South (traditional Chinese painting) — Ai Li p92-93

An Assistant After His Own Heart — Nan Chi-huang p3

Morning Clouds — Feng Chang p13

New Year’s Eve — Tang Chun-ping p24

Mao-ching Joins the Army — Wen Chung p31

A Teacher’s Diary — Liu Wen p47

The Demobbed Soldier — Yuan Hui p55

Rice Seedlings — Wang Kuei-hua p59

Prospectors’ Songs — Yang Ho-lou p61

An Old Couple — Li Fang-ling p64

Between Two Collectives — Chu Kuang-hsueh p74

The Forest of Stone Inscriptions — Shan Wen p81

Home of Folk-Songs — Hsu Fang p90

Thoughts After Seeing the Hokusai Painting Exhibition — Lin Lin p95

The London Philharmonic Orchestra in China — Chen Hsing p99

The Vienna Philharmonic Orchestra Comes to Peking — Chen Ko p102

The Red Flag Canal (traditional Chinese painting) — Pai Hsueh-shih p30-31

Boating in the Rain (traditional Chinese painting) — Li Ko-jan p46-47

Getting Ready for a Lesson (oil-painting) — Ma Lan p54-55

After a Performance (traditional Chinese painting) — Liu Chang-chao and Chen Chen-ming p80-81

A Li Village (oil-painting) — Lin Teh-chuan p94-95

A Conversation Overheard at Night — Mo Ying-feng p3

Master and Apprentice — Chung Yao-hua p10

Sister Lily — Li Yu p19

Li Mu — Kuan Hua p32

The Pine Before Our Sentry Post — Niu Kuang-chin p40

Good News from a Mountain Village — Li Fang-yuan p42

A Shipment of Sugar-Cane — Lu Ming-chung p44

Our Quota — Huang Min p46

My Future Daughter-in-Law — Wang Ho-ho p55

The Party Secretary’s Bed-Roll — Liu Chieh p66

Some New Woodcuts — Tan Shu-jen p76

Critique of the Film “Naturally There Will Be Successors” — Keng Chien p78

Militant Art — Jen Chieh p88

Art Treasures of the Mexican People — Shao Yu p92

Pakistan National Dance Ensemble in Peking — Li Yao-tsung p97

Light from Date Orchard (coloured woodcut) – Ku Yuan p18-19

Autumn Harvest in the North (coloured woodcut) - Chao Mei p30-31

Watching over the Paddy Shoot (woodblock print) – Wang Wei-pao p52-53

Minority Girl Becomes Tractor-Driver (coloured woodcut) – Teng Tzu-ching p74-75

Swallow and Dawn — Chiang Tzu-lung p3

On the Banks of the Milo — Hu Ying p10

An Unfinished Lesson — Sui Hua p26

Storm Warning — Kuo Hung p35

Settlers on the Barren Steppe — Jan Yi-ping p61

The New Post — Chi Hsueh p63

The Road — Han Yu-ya p65

Willows by the Lake — Chung Teh-hua p84

We’re Commune Seedlings — Sheh Chih-ti p86

Twinkling Stars — Lin Chien-hsiang p67

Nets — Chang Chi p77

Exhibition of Archaeological Finds of the People’s Republic of China — Ku Yen p88

How I Came to Write “Storm Warning” — Kao Hung p114

Foshan Scissor-Cuts — Tang Chi-hsiang p119

After Seeing the Revolutionary Korean Opera “The Flower Girl” — Lin Ching-tang p124

On the Threshold of Victory — Pien Ta p130

Lion Dance (scissor-cut with copper foil) — Yang Yung-hsiung and Chang Po p34-35

River Scenes (monochrome scissor-cut) — Lin Tsai-hua p62-63

Weaving a Net (painted scissor-cut) — Yang Yung-hsiang p76-77

Archaeological Finds p98-99

Regret for the Past p3

What Happens After Nora Leaves Home? p23

On Women's Liberation p30

Hidden Reef — Shih Min p33

Not Just One of the Audience — Tuan Jui-hsia p51

Little Dragon — Liu Pen-fu p65

Showers of Gold — Liu Tzu-tzu p75

The Commune Fair — Teng Chih-hua p77

The Lichees Have Ripened — Ho Chin p79

Frogs Croak Overhead — On Kuei-liang p81

Two Portrayals of Chinese Women in Lu Hsun’s Stories — Tang Tao p83

New Paintings of the Yellow River — Chao Chuan-kuo p91

Shihwan Stoneware — Miao Ting p96

New Paintings of the Yellow River

Marching to New Construction Sites p32-33

The Railway Bridge p50-51

Paddy Fields by the River p64-65

Clothe the Hills in Green p74-75

Shihwan Stoneware p98-99

A Young Pathbreaker — Hsiao Kuan-hung p3

Out to Learn — Chou Yung-chuang p16

The Girl in the Mountains — Li Hui-hsin p30

Ideals in Life — Liu Yang and Hua Tung p39

A New Teacher — Cheng Hsuan and Yi Shih p51

Rain p64

The Frontier at Night p66

Fording the Stream p68

Our Cook p71

The Old Station Master — Chi Shui-yuan p73

When Peaches Ripen — Li Hao p79

Whole-hearted — Wu Ching-ming p83

New Recruits — Wu Ming p91

Exhibition of Japanese Handicrafts in Peking — Lei Kuei-yuan p96

Dawn Over the Great Wall (traditional Chinese painting) — Kuan Shan-yueh p38–39

Horse Racing (traditional Chinese painting) — Huang Chou p50–51

Let's Go Together (coloured woodcut) – Cheng Yen-ning and Wang Wei-pao p70-71

Old Schoolmates (traditional Chinese painting) – Tang Chi-hsiang p78-79

Spring in a Mountain Village (coloured woodcut) – Chang Ching-wen p90-91

Beloved Teacher — Saifudin p3

Fond Wishes from the Tuchia People — Yen Chia-wen p5

A Yung Song — Su Ming-ching p7

Sky, Why So Blue and Clear? — Chai Chia-hsin p9

Whirling Snow Brings in the Spring (excerpt from a novel) — Chou Liang-szu p11

Green Tents — Li Lung-yun p64

The Caravan — Li Lung-yun p66

Back from Ploughing at Night — Chun Chan p68

The Lumbermen — Kuo Hsiao-lin p70

The Peasant Cadre — Chou Miao p73

A Summer Holiday Spent with My Uncles — Ma Lien-fen p82

Fishing Through the Ice — Pao Chun p88

Productive Labour and Art — Hsu Hui-ching p95

Chinese Acrobatics — Fu Chi-feng p100

Morning Gong (coloured woodcut) — Hao Po-yi p8-9

On the Threshing Ground (coloured woodcut) — Chao Hsiao-mo p62-63

Egg Production Soars (coloured woodcut) — Liu Ying-hai and Chao Jen p72-73

After Hours (coloured woodcut) — Chen Yi-min p86-87

Joining the Party (oil-painting) — Li Pin p94-95

First and Last — Hao Jan p3

Uncle Ni — Mao Ying p22

Between the City and the Countryside — Wei Kuo-chen p29

Beside a Train Window — Li Hai-chi p36

In the Stable at Night — Liu Chang p38

Night Patrol in the Commune Orchard — Chin Chun-sheng p40

Painting for the Revolution — Hsin Wen p94

Tsidan Choma, Tibetan Singer — Hsin Hua p101

The Philadelphia Orchestra Performs in China — Chen Hsing p104

Peasant Paintings from Huhsien p88-89

Keep the Golden Bell Clanging — Li Hsia p70

Meng Hsin-ying — Lin Cheng-yi p89

Gathering Medicinal Herbs — Lin Chang p108

Book-Markers — Hsing Shu-li p111

Stacking Paddy at Night — Li Tsai-ping p112

Azaleas Bloom Red Over the Mountains — Wang Shu-yuan p114

New “Cheng” Music — Hsiung Chin-wen p120

Stage Photographs from “Azalea Mountain” p26-27

The People of Tachai — Hu Chin p3

Written for the Sake of Forgetting p65

Preface for the "Album of Works from the All-China Woodcut Exhibition" p77

A Preface to Pai Mang's "The Children's Pagoda" p79

"Create a Host of New Fighters" — Shih Yi-ko p81

Chairman Mao Is at Our Side — Tsui Ching-wen p88

Over the Hills I Canter — Tsao Chen-chien p89

Muyanghai — Chen Kuang-pin p91

Li Hsiu-man — Chow Ke-chin p94

Spring Showers — Kuo Po p104

New Serial Pictures — Chi Cheng p111

The Path of Tachai (serial pictures) — Li Chi-yuan, Lin Fan, Wang Chiao and Meng Ching-chiang

Joining the Co-op p26-27

Studying Marxism-Leninism and Chairman Mao's Works p58-59

Story of Lu Hsun (serial pictures) – Cheng Yu-min, Pan Hung-hai and Ku Pan

"I Dedicate My Life-blood to China" p64-65

A Keen Student of Marxism p70-71

Concern for the Youth p78-79

Conch Ford (serial picture) – Tung Hsiao-ming, Kao Erh-ku and Liang Ping-po p110-111

The People of Tachai — Hu Chin p15

The Young Herdswoman — Chu Yu-yuan p85

Ulan Bulgod, the Red Eagle — Chu Yu-yuan p87

Our Rubber Plantation — Huang Chi-ping p89

"Iron-Shoulders" Tackles a New Task — Chen Chien-kung p91

Hidden Beauties — Li Yu p101

New Developments in Traditional Chinese Painting — Chi Chang p113

An Old Hand Finds a New Path — Kuan Shan-yueh p118

Learning from Tachai to Paint Tachai — Wang Ying-chun p122

Selected Works from the Exhibition of Traditional Chinese Paintings p112-113

A Madman's Diary p3

Confucius in Modern China p15

Two Buckets of Water — Hao Jan p23

Date Orchard — Hao Jan p36

An Old Deputy — Fu Chih-kuei p49

Our Gifts for Chairman Mao (a Tibetan folk song) p61

Song of the Ailao Mountain (an Yi folk song) p63

The Girl Tractor-Driver — Liang Shang-chuan p65

Fetching Water — Yuan Hui p67

The Countryside Is a University Too p69

Lu Hsun, a Great Fighter Against Confucianism — Lin Chih-hao p81

Do Musical Works Without Titles Have No Class Character? — Chao Hua p89

Introducing the Writer Hao Jan — Chao Ching p95

Studying (traditional Chinese painting) — Hsiung Chao-jui and Lin Yung p48-49

Morning on Taihu Lake (traditional Chinese painting) — Sung Wen-chih p60-61

Dawn Overture (woodcut) — Chao Mei p80-81

Letter from Their Old School (woodcut) — Chang Chen-chi p94-95

A Woman Captain — Liu Chun-chao p55

Blow Ten Thousand Tunes on the Leaves — Han Tung-shu p71

The New Liangshan Mountains — Liang Shang-chuan p73

A Joyful Morning — Chin Chun-sheng p75

Carrying-Bands — Liu Tsu-tzu p77

“The Dream of the Red Chamber” Must Be Studied from a Class Standpoint — Sun Wen-kuang p79

The Dream of the Red Chamber (Chapter IV) — Tsao Hsueh-chin p95

Create More Typical Proletarian Heroes — Chang Ying-mei p102

The North China Theatrical Festival — Chi Ti-wen p108

Introducing Some New Feature Films — Wei Yu p121

Battling with the Pen (traditional Chinese painting) — Ou Yang and Yang Chih-kuang p2-3

Battle of the Hsisha Archipelago — Chang Yung-mei p3

A Task of Paramount Importance — Li Cheng p34

A Ball of Fire — Chow Tsung-chi p50

Master Ching-shan — Chen Chien-kung p67

Amateur Artists of a Coastal City — Chang Tien-fang p81

Confucius, “Sage” of All Reactionary Classes in China — Shih Hua-tsu p86

Why Are We Denouncing Confucius in China? — Cheh Chou p96

Why This Hullabaloo from the Soviet Revisionist Clique? — Su Wen p102

On Antonioni’s Self-Defence — Hua Yen p107

Illustrations to “Battle of the Hsisha Archipelago” — Wu Min

Selected Works of Amateur Artists of Luta p80-81

Sketches of Scenes Criticizing Lin Piao and Confucius p92-95

The Daughter of a Revolutionary — Kuo Ning p3

New Masters of the Steel Plant — Pien Feng-huo p23

Green Wheat Seedlings — Shen Chun-chih p43

Hidden Potential — Yu Yun-chuan p55

Chairman Mao Sends Me to the Rostrum — Yin Kuang-lun p66

Golden Bull Ridge — Yin Kuang-lan p69

Songs in the Mountains — Hsi Chiu-lan p71

Rice Transplanting — Chiang Hsiu-chen p75

A Night in September — Li Yun p77

Comments on the Shansi Opera “Going Up to Peach Peak Three Times” — Chu Lan p79

Anti-Confucian Struggles of Peasant Insurgents — Chi Liu p86

How I Made the Painting “The Young Worker” — Wang Hsi p93

The Tide of Our Heart Rises High As the Waves (traditional Chinese painting) — Wu Chi-chung p22-23

Spring Ploughing (coloured woodcut) — Kung Hsiang-sheng p42-43

Persist in Study (traditional Chinese painting) — Liu Pai-yung p54-55

The Young Worker (oil-painting) — Wang Hui p92-93

New Books for Young Peasants (traditional Chinese painting) — Wang Mei-fang and Chang Hsi-liang p96-97

The Women’s Team Leader — Wu Yen-ko p3

Study As a Pine — Chun Fang p23

Ready on the Take-off Line — Hua Lin p37

A Bastion of Strength — Lung Chi p46

Early Spring in the Mountains — Li Ying p59

After Rain — Li Ying p61

Rain in the Meng Mountain — Yen Yi-chiang p63

Red Tassel on Her Whip — Tsun Jen p65

Keep to the Correct Orientation and Uphold the Philosophy of Struggle — Chu Lan p68

Art Derived from the Life and Struggle of the Masses — Hsin Wen-tung p76

Paintings by One of Today’s Peasants — Jen Min p87

Confucius’ Reactionary Ideas About Music — Han Hsia-lin p94

Sending Her Off to College (traditional Chinese painting) — Tang Yi-wen p22-23

A Mobile Art Troupe (woodcut) — Chang Chen-chi p36-37

Good Tidings from Home (traditional Chinese painting) — Chai Shan-lin p58-59

Militiawomen of the South Sea (traditional Chinese painting) — Chen Chen-ming p86-87

A New Lesson (woodcut) — Chou Hsiu-feng p98-99

Propriety p3

Forgetting Meat and Forgetting Water p7

Her Father's Daughter — Lou Yao-fu p20

A Miner's Son — Li Hsueh-shih p34

Ninety-nine Lyres Facing the Sun — Tsai Lo p77

The Miners' New Village — Kao Yu-chao p79

Our Bare-foot Doctor — Liang Shang-chuan p82

A Decade of Revolution in Peking Opera — Chu Lan p85

Three Young Artistes in the Revolution in Peking Opera — Ah Wen p95

I Painted the Heroic Taching Oil Workers — Chao Chih-tien p104

Impressions of the Albanian Folk Song and Dance Ensemble — Min Ming p108

Peasant Poets of Hsiaochinchuang — Pien Tsai p95

Discovery of a Long-lost Military Treatise — Yang Hung p105

Confucius’ Reactionary Views on Literature and Art — Wen Chun p111

Chairman Mao at Mount Lushan (oil painting) — Li Tien-hsiang, Wen Li-peng, Li Hua-chi and Chung Han p2-3

Today’s Main Task (woodcut) — Li Chung-fa p66-67

On the Production Front (woodcut) — Kuan Lien-chu p94-95

Spring Stirrings (woodcut) — Hua Hsien-yun p104-105

Comradeship (woodcut) — Hua Yi-lung and Shen Chia-wei p110-111

Generation After Generation — Sun Yung p3

A Lecture on History — Yeh Mien p33

Granny Chin — Sung An-na p47

Sparks from the Welder’s Torch — Yuan Chun p78

New Life for Local Operas — Tsung Shu p90

How the Piano Concerto “Yellow River” Was Composed — Yin Cheng-chung p97

A Village Cultural Centre (Huhsien peasant painting) — Chang Lin p32-33

Raising Seedlings (Huhsien peasant painting) — Li Shun-hsiao p46-47

We Are All Ready! (traditional Chinese painting) — Chiang Cheng-nan p54-55

Who Swept the Snow for Me? (traditional Chinese painting) — Liu Hsiao-li p96-97

Surveying (woodcut) — Liao Yu-kai and Wang Mei-fang p102-103

Something More to Report — Tien Lien-yuan p66

An Interrupted Performance — Shih Kuo-hua and Tien Lien-yuan p75

New Achievements in Modern Drama — Hsiao Lan p81

Paintings by Shanghai Workers — Hu Chin p91

Art Works by Shanghai Workers p90-91

A Sea of Happiness — Hua Jan p3

A Snowstorm in March — Chao Yen-yi p53

Ah, Chungnanhai, Pride of My Heart — Wang En-yu p72

Heroes of the Red Flag Canal — Li Chang-hua p76

Snowy Night — Li Ying p82

The First Catch — Li Ying p84

A Visit to My Native Village — Chen Ying-shih p86

National Art Exhibition — Wang Wu-sheng p94

The “Erh-hu” and “Pi-pa” — Wu Chou-kuang p100

Works from the National Art Exhibition p96-97

Mount Lushan — Chia Man p59

Two Generations — Huang Ho-lang p62

Storm in a Teacup 65

The White Light p76

Adapting a Novel for the Screen — Lu Chu-kuo p87

Creating the Image of Winter Boy — Li Chun p92

As I Acted Winter Boy I Learned from Him — Chu Hsin-yun p97

From a Cameraman's Notebook — Tsai Chi-wei p102

On Lu Hsun's Two Stories — Tang Yuan p107

Photographs from "Sparkling Red Star" p48-49

Old Martinet — Li Yung-sheng p3

The Golden Road — Chin Chieh and Ku Shao-wen p18

Riding the East Wind — Yuan Hang p36

Three Poems — Tsao Tsao p97

Tsao Tsao and His Poetry — Wen Chun p102

Amateur Worker-Artists of Yangchuan — Pien Tsai p109

More Rare Finds from Han Tombs — Tung Shu p114

Now We Can Control Gas (traditional Chinese painting) — Yang Li-su and Chang Teng-kuei p52-53

Bringing Back the Tachai Spirit (gouache) — Yeh Hsin, Chang Szu-chun and Yang Piao p62-63

Black Gold (woodcut) — Li Chi-hsin, Wang Yuan-ming, Kuo Li-cheng and Liu Chi-teh p96-97

On His Way to the Commune (traditional Chinese painting) — Yang Hung-wei p108-109

Deputy Head Nurse — Chin Chien-lan p11

Teacher and Student — Yang Miao p33

Blazing New Trails — Hui Ching p41

The Study Group Leader — Tou Yi-shan p56

The Torch — Shen Jen-kang p94

The Creation of the “Red Silk Dance” — Chin Ming p102

Some Popular Chinese Wind-Instruments — Chou Tsung-han p106

Two Oil Paintings — Chi Cheng p112

Big-Character Posters Are Good (oil painting) — Fu Chih-kuei p10–11

Preparing Together (traditional Chinese painting) — Wu Chi-chung p32–33

Channel of Happiness (traditional Chinese painting) — Pai Hsueh-shih and Hou Teh-chang p40–41

The Fight Goes On (oil painting) — Sheng Ting p100–101

Before the Lecture (oil painting) — Li Ping-kang p104–105

Doctors and Nurses — Chang Yu-hua and Chou Hsing-fang p3

A Store Near the People's Square — Chu Min-shen p26

The Ten-Year Plan — Tsao Jui-hsia p32

The Glittering Stone — Kuo Yu-tao and Tso Ke-kuo p40

Flowers on the Borderland — Li Chun p63

Spring Rain — Li Chun p65

Our Motherland’s Spring Waters — Li Chun p66

Morning Mist — Pan Fan p68

The Unknown Hero — Tsui Ho-mei p70

From Hundred Plant Garden to Three Flavour Study p72

On Reading “From Hundred Plant Garden to Three Flavour Study” — Li Yun-ching p79

A Selection of Peasants’ Poems — Yen Chien p84

In Charge of the Furnace (traditional Chinese painting) — Han Chia-ying p24-25

Building an Aqueduct (oil painting) — Sun Kuo-chi and Chang Hung-tsan p48-49

Instructor in Political Theory (traditional Chinese painting) — Wei Kuo-chiung p64-65

New Doctor at a Fishing Port (oil painting) — Chen Yen-ning p80-81

Ploughing the Sea (oil painting) — Tang Chih-hsiang and Yu Kuo-hung p88-89

The Sunlit Road p3

Tempered Steel p42

Every Wall Is a Battlefield — Cheng Chun-ping p76

Our Battle Songs Soar to the Rosy Clouds — Chang Hsiao-hua p78

Smash "The Mandate from Heaven" — Liu Shu-mei p79

We Study for the Revolution — Chih Min p81

Learning to Farm — Chang Yi-pin p83

Open-Door Schools Are Fine p84

A Visit to My Sister p85

Poems — Liu Yu-hsi p87

Liu Yu-hsi's Political Poems — Wen Chun p94

New Children's Songs from a Peking Primary School — Hsin Ping p104

New Piano Music — Lo Chiang p110

Production Team Leader (traditional Chinese painting) — Hsiao San-jui p32-33

Preparations for Spring Ploughing (oil painting) — Cheng Li p64-65

Herding Horses for the Motherland (oil painting) — Kuang Ting-po p80-81

Song of the Forest (woodcut) — Tu Hung-nien p88-89

A Change of Heart — Fang Nan p3

New Blood for the Party — Hua Shan p21

Advancing Through the Rapids — Chou Keng p43

Our Train Races Forward — Chen Chi-kuang p57

Our Motherland — Chang Tung-hui p67

The Miner’s Love — Sun Kuei p69

As If a White Cloud Had Dropped Down from the Skies — Huo Man-sheng p70

The Derrick — Tsai Hua p71

Morning Song — Wu Hao p73

The First Thunder in Spring — Shih Yi-ko p75

In the Forefront of the Battle Against Confucianism — Shih Yi-ko p81

The New Silk Road Across the Skies (a poem) — Chang Yung-mei p89

The Struggle Between the Confucians and Legalists in the History of Chinese Literature and Art — Chiang Tien p94

The Children’s Orchestra of Tachai — Yin Yuan p103

Chairman Mao with Norman Bethune (oil painting) — Hsu Jung-chu, Chao Ta-chun and Yang Yao-ngo p32-33

The Countryside Is Our Big Classroom (woodcut) — Chen Yi-ming p56-57

The Light of Kutien (oil painting) — Wang Lu p72-73

Sugar-cane Grows Sweet in the South (woodcut) — Hsu Chuan-ju p88-89

The Adjutant — Wang Chin-nien p50

The One-Legged Raftsman — Yeh Wei-lin p64

Seizing Time — Chiang Tzu-lung p73

The Veteran’s Wish — Chang Teh-yi p81

Advancing over the Wasteland — Chang Teh-yi p83

The Frozen Marshland — Chang Teh-yi p85

With Baskets Slung over Their Shoulders — Lung Pi-teh p87

The Well Diggers — Lung Pi-teh p89

Chinese Artists Discuss Their Study of the “Yenan Talks” p90

A New Revolutionary Dance Drama — Hsin Wen-tung p96

The Peasant Song-Writer Shih Chang-yuan — Yin Yuan p100

“Sons and Daughters of the Grassland” p80-81

The Golden Keys — Yu Chun-ying and Shen Chin-hsiang p67

The County Party Secretary — Wang Ho-ho p78

The Old Militiaman — Fan Chun-chang p80

Desert Date Trees — Mu Ching p83

The Girl on the Raft — Chao Cheng-min p85

Fishing in the Clouds — Yung Chun p87

Class Love on the Sea — Chuang Ya-ko p89

The Snake-Catcher — Liu Tsung-yuan p91

The Bore — Liu Tsung-yuan p93

Three Fables — Liu Tsung-yuan p94

Liu Tsung-yuan’s Prose Writings — Yu Pin p97

On the Dance Drama “Ode to the Yimeng Mountains” — Tien Niu p103

Wuhu Iron Pictures — Lou Yang-sheng p108

Ode to the Yimeng Mountains p88-89

The Miners’ Battle Cry p60

The Cook’s Decision p62

Our Accountant p63

Skipper Chang — Tao Tai-chung p64

Sturdy Young Poplars — Wang Ying and Li Jung-teh p80

A Cloud in the Sky p85

The Eve of the Wheat Harvest p87

Sister Sews a Print Blouse p89

Golden Bamboo p91

Introducing the Uighur Opera “The Red Lantern” — Chumuhung Suritan p92

Exhibition of Children’s Art in Shanghai — Kung Ping-tsu p97

Relics of the Long March — Wen Hsuan p101

Exhibition of Children’s Art in Shanghai p96–97

Horses for the P.L.A. — Kung Keh-yi p3

Manoeuvring on a Rainy Night — Lu Keh-chien p21

Night Ploughing After Rain — Huang Ying-ku p37

A Drink Along the Way — Fu An p39

Before Going to Peking — Pin Chih p41

The New-Year Sacrifice p44

Friendship Lies Deep — Chang Chih-min p69

One Aim, One Wish — Chang Hsin p71

A Battle Shared — Liu Chen-yuan p73

Water-Borne Store — Hua Chang-ching p75

First Lesson in the Countryside — Kao Hung-hsin p85

Song-Writer of the Korean Nationality — Hsin Hua p97

Terracotta Figures Found Near Chin Shih Huang’s Tomb — Ni Ta and Chin Chun p102

Another Bumper Harvest (woodcut) — Li Yi-ping and Liu Ying-hai p40-41

A Girl Meteorologist (oil painting) — Liang Ling p72-73

Chin Dynasty Terracotta Figures p96-97

Four Trips to a Desert City — Hsi Hui-ting p3

Holding the Ferry — Yang Ching-kuang p19

"Just Call Me Sea Girl!" — Fang Nan p32

Uncle Yang of Red Brook Valley — Liu Tsan-hsiao p47

I'm a Longshoreman p63

Better and Better Every Day p65

Kueimiao Gate Is Opened Releasing the Rafts p67

The Flowing River p71

The Current Criticism of "Water Margin" — Chih Pien p82

What Sort of Novel Is "Water Margin"? — Shih Chung p86

Spring Festival (New-Year picture) — Ma Yun and Yeh Chien p2-3

Guarding Our Great Motherland (oil painting) — Shen Chia-wei p64-65

Shihwan Stoneware p80-81

Crossing the Golden Sand River — Hsiao Ying-tang p6

Red Army Men Dear to the Yi People — Aerhmuhshia p19

Forced Crossing of the Tatu River — Yang Teh-chih p28

Nine Company Cooks During the Long March — Hsieh Fang-tzu p37

Snow in June — Tien Kuo-hao p43

On the Tangling Mountains — Wu Hsien-en p46

“Political Commissar Wang” of Our Squad — Chao Lien-cheng p52

Our Supply Station on the Grassland — Yang Yi-shan p59

The Battle of Chihlochen — Han Hai-tung p63

Our Three Front Armies Join Forces — Ho Po-ling, Liu Jen-sung and Chu Chia-sheng p69

Sing, Skylark — Saifudin p79

Stride Forward — Saifudin p81

A Song From Our Hearts p83

Along the Tarim River p85

Chairman Mao Brings Happiness p87

Source of Light — Ho Chin and Hsiao Tu p89

Li Brocade for Chairman Mao — Chao Hsiao-po and Chen Chiu-hsiao p91

Busy Chingyang Hamlets in Spring — Chiang Ko p93

A Spring Flower p95

On Reading “Selection of National Minority Poems and Songs” — Li Yao-tsung p96

New-Year Pictures — Hsueh Yen p100

A Song-and-Dance Ensemble of Liberated Serfs — Tsung Shu p104

Towards Victory (oil painting) – Peng Pin p36-37

New-Year Pictures p88-89

Sunny-Side Pine p3

Honest Chung and His Family p28

Iron Shoulders — Hsi Liu p46

Spring Comes Early to These Hills — Liang La-cheng p48

New Man-Made Plains — Tung Yao-chang p50

The “Chief Supervisor” — Li Yen-hsiang p52

Men Can Conquer Heaven — Chang Szu-kung p70

Poems — Li Ho p87

Legalist Ideas in Li Ho’s Poetry — Chung Wen p94

Lu Hsun’s Comments on the Novel “Water Margin” — Kuo Yu-heng p101

The Clay Sculptures “Wrath of the Serfs” — Kao Yuan p109

Our Experience in Sculpting “Wrath of the Serfs” p113

The Clay Sculptures “Wrath of the Serfs” p100-101

Chingkangshan Revisited — to the tune of Shui Tiao Keh Tou p3

Two Birds: A Dialogue — to the tune of Nien Nu Chiao p5

The Commune Secretary — Chen Chung-shih p18

Bulldozer Wang — Sun Po p58

Transplanting the Saplings — Hsieh Tsung-nien p71

The Creators of Spring — Hsu Kang p77

A Visit to Shaoshihyu — Hao Jan p84

What Sort of Character Is Sung Chiang? — An Wen p91

The Second Spring — Tsung Shu p99

Spring Preparations (woodcut) — Chin Li-ping p70-71

Spring Comes to the Huai River (woodcut) — Wu Chung-ping p90-91

Songs over the Wanchuan River (woodcut) — Hsien Li-chiang p98-99

Changsha p3

Yellow Crane Tower p5

Chingkangshan p6

The Warlords Clash p7

The Double Ninth p8

New Year’s Day p9

On the Kuangchang Road p10

March from Tingchow to Changsha p11

Against the First “Encirclement” Campaign p12

Against the Second “Encirclement” Campaign p15

Tapoti p16

Huichang p17

Loushan Pass p18

Three Short Poems p19

The Long March p21

Kunlun p22

Mount Liupan p24

Snow p25

The PLA Captures Nanking p27

Reply to Mr. Liu Ya-tzu p28

Reply to Mr. Liu Ya-tzu p30

Peitaiho p32

Swimming p33

Reply to Li Shu-yi p35

Farewell to the God of Plague p36

Shaoshan Revisited p38

Ascent of Lushan p39

Militia Women - Inscription on a Photograph p40

Reply to a Friend p41

The Fairy Cave - Inscription on a Picture Taken by Comrade Li Chin p42

Reply to Comrade Kuo Mo-jo p43

Ode to the Plum Blossom p45

Winter Clouds p47

Reply to Comrade Kuo Mo-jo p48

Reascending Chingkangshan p51

Two Birds: A Dialogue p53

The Other Side of Celebrating the Recovery of Shanghai and Nanking p123

On Lu Hsun's Long Lost Essay – Chung Wen p127

A True Bastion of Iron – Chen Hua and Hsin Pu p131

Photographs from "Boulder Bay" p64-65

Upholding the Banner — Cheng Jui p28

Sentinel for the Revolutionary Committee — Tuan Jui-hsia p53

A Close Call — Ma Chin-pao p66

A Fortnight in Hsiayang — Ling Yen p82

Breaking with Old Ideas — Tien Shih p91

On Chairman Mao’s Recently Published Poems p99

On the Long Poem “The Song of Our Ideals” — Wen Shao p104

Some New Woodcuts — Yen Mei p110

Poems from the Grassland (woodcut) — Hsu Kuang p24-25

A Barefoot Doctor of the Yi Nationality (wood-block print) — Chu Li-tsun p52-53

Our Region Needs People Like You (woodcut) — Ma Chen-sheng p64-65

New Sisters of the Grassland (wood-block print) — Li Huan-min p90-91

An Yi Village Welcomes Newcomers (woodcut) — Ah Ko p98-99

The Road — Yu Chiu-ya p81

Prose and Poems — Wang An-shih p87

Wang An-shih the Reformer and His Writings — Kung Wen p95

Mass Debate on Revolution in Literature and Art — Hsin Hua p102

A Recently Discovered Poem by Lu Hsun — Chou Wen p109

A Hundred Flowers Blossom in the Field of Dancing — Wen Sung p113

Juvenile Art — Hsiao Mei p121

Works from the National Juvenile Art Exhibition p80-81

Forging Ahead — Sung Hsin-ying p4

A Sixth Sense — Chang Chung-kuang p36

A Visit to Wupao — Lu Yao, Li Chih and Tung Mo p54

A Path Through the Forest — Liu Teng-han and Sun Shao-chen p77

Sending Down the Rafts — Liu Teng-han and Sun Shao-chen p80

Spring Night in a Mountain Village — Peng Yu-teh p82

Following in the Footsteps of Our Forerunners — Shih Hsiang p85

Waiting for a Genius p91

Miscarriage and Extinction p95

Introducing Yi-Pa Art Society’s Exhibition of Amateur Works p97

New Developments in Chinese Acrobatics — Hsiao Fu p105

New Group Sculpture “Song of the Tachai Spirit” — Wen Tso p113

What the Revolution in Literature and Art Has Taught Me — Yang Chun-hsia p116

Chairman Mao with the People of the Chingkang Mountains (New-Year picture) — Tsou Liang-tsai p76-77

A Lesson on the Party’s History (oil painting) — Wu Chien p88-89

Keeping a Diary on the Long March (traditional Chinese painting) — Chen Yen-ning p98-99

Song of the Tachai Spirit p112-113

A Severe Test — Tsun Jui-hsia p3

The Radiance of Youth — Yao Hua p24

An Uninvited “Delegate”? — Chen Hien-fa p55

We Shall Charge On — Wang Tu p73

We Poor and Lower-Middle Peasants Will Brook No Evil — Wei Wen-chung p75

Peals of Spring Thunder in Our Mill — Lu Ping p77

The School Entrance — Han Ching-ting p80

Message from Tibet — Yang Hsing-huo p83

Continue to Advance Along Chairman Mao’s Line on Literature and Art — Yen Feng p85

New Paintings by Soldiers — Ko Tien p95

Some Taiping Stone Carvings — Chi Cheng p100

From the Exhibition of Art Works by PLA Soldiers p82-83

The Undaunted — Chen Chung-shih p17

When Chairman Mao’s Poems Came to Our Worksite — Wang Yu-chen p55

Every Single Victory Is Won Through Struggle — Wang Tso-shan p57

Even the Biggest Hurricane Can’t Knock Us Down — Wang Fu p59

This Is the Subject I’ll Speak About — Yu Fang p61

Going into Battle — Chung Yue-chen p63

Away with All Pests — Wang Shu-ching p64

Our Peasants’ Feet Are Hard as Iron — Wei Wen-chung p66

Walking Again Along the Familiar Path — Hsu Hsiao-fan p68

We’ll Keep in Mind Tachai’s Experience — Wang Hsien p71

The Song of the Tractor Driver — Wang Jui p73

Scaling the Heights — Nachialun p76

The Northern Wilderness Is My Home — Hsing Tung-chih p83

Four Poems — Chen Liang p98

The Portrayal of the Heroine in “Investigation of a Chair” — Tsung Shu p109

Stage Photographs from "Investigation of a Chair" p8-9

Growing in Struggle (sculpture) – Wu Hsien-lin p54-55

Battling with a Brush (sculpture) – Wang Kuang-yun p70-71

Returning to Yenan (woodcut) – Ku Yuan

A Long, Long Life to Chairman Mao p79

The Tai People Turn Their Hearts to the Red Sun p81

The Ahchang People Are Devoted to Chairman Mao's Leadership p83

Song of a Pipe-Organ p84

A Thousand Songs, Ten Thousand Tunes p85

In Deep Winter a Thousand Hills Turn Green p86

Golden Flute Music Stirs Our Hearts p87

A Song in Praise of the Cultural Revolution — Shu Hsin p88

Pictures Depicting the Cultural Revolution — Yen Mei p93

New Shoots Welcome the Morning Sun — Tuan Jui-hsia p100

Tempered and Steeled in the Cultural Revolution — Chi Yu p104

Debunking Teng's Theory That Class Struggle Has Died Out — Li Ping-shu p107

Strive to Depict Heroic Characters of the Proletariat — Li Wen-hua p111

Write Ever More New Songs for the Revolution — Kim Bong Hao p115

Art Works from the Exhibitions "The Cultural Revolution Is Fine" p80-81

Smash the "Gang of Four" — Kuo Mo-jo p64

A Grand Festival for All Revolutionaries — Kuang Wei-jen p66

Chairman Hua in His Green Army Uniform — Yu Kuang-lieh p71

Chairman Hua Leads Us Forward Triumphantly — Shih Hsiang p75

The International Settlement in March — Lu Hsun p83

An Out-and-Out Old-Time Capitalist — Jen Ping p89

A Grave Struggle Around the Film "The Pioneers" — Lu Shu-ying,

Chu Ping and Yang Chih-chieh p94

From "The Pioneers" p24-25

A Memorable Voyage — Hsin Chun-wen p3

Chairman Mao Inspects Nanniwan — Tung Ting-heng p13

Chairman Mao Shines Like a Red Sun over the Earth — Li Shu-yi p19

Old Bull-Head — Teng Ta-chun p86

To Peking from the Chuang Mountains — Hsiao Yang-wu p97

When the Good News Comes to Our Hui Mountains — Ma Jui-lin p99

We of the Bamboo Forests Will Always Follow the Party — Sun Lun p101

When Chairman Hua Came to Our School — Chang Kuei-lan p103

The Never-Setting Red Sun — Wen Chung p105

Chiang Ching, the Political Pickpocket p109

An Exposure of Chiang Ching p118

Chairman Mao with Chairman Hua (traditional Chinese painting) — Liu Wen-hsi p12-13

The Red Sun Shines Over Tiger-Head Hill (woodcut) — Wang Chun p96-97

Working Hard to Transform the Land (gouache) — Liu Teh-yun p100-101

Leading Water Uphill (oil painting) — Chang Shih-pei p104-105

Old and Young Study Together (woodcut) — Wu Kuo-wei and Kuo Yen-tse p108-109

Our Beloved Premier Chou at Meiyuan New Village p3

Our Beloved Premier Chou’s Three Visits to Tachai p16

Mourning Premier Chou — Kuo Mo-jo p29

Proud Eagle — Saifudin p32

On the Anniversary of Premier Chou’s Death — Chao Pu-chu p35

The Lamp in Premier Chou’s Office — Shih Hsiang p37

In Those Days of Deep Sorrow — Yu Ying and Hua Tan p43

The Battle in Wanshan Valley — Wei Shu-hui p49

Reply to a Letter from the Trotskyites p62

Reply to Hsu Mao-yung and on the Question of the United Front Against Japanese Aggression p66

Lu Hsun’s Struggle Against Hidden Enemies in the Revolutionary Camp — Chung Shu-chih p81

The Struggle Around the Film About Premier Chou En-lai p88

Some Outstanding Peasant Paintings — Hung Lu p98

Comrade Chou En-lai, Great Proletarian Revolutionary (sculpture) — Tung Tsu-yi and Yang Shu-ching p28-29

We’ll Always Think of Premier Chou (woodcut) — Yang Hsien-jang p42-43

Peasant Paintings p80-81

High in the Yimeng Mountains — Nieh Li-ko and Liang Nien p3

Sister Autumn — Chao Pao-chi p19

Heroes Split Mount Chai-ling — Sung Shu-wen and Sung Kuei-sheng p36

Callused Hands — Tsung Ting-chao p53

A Pine Twig from Tachai — Chuang Kang-kang p59

Lake Hsiangyang — Tang Keh-chia p67

The New Canal — Wang Hsun p73

The Moon — Pei Min-sheng p75

Our Pack-Horse Bells — Yang Chun p77

Grand Panoramas of History — Chang Shu p79

The Liberation of Six Popular Films — Hsin Jung p85

Our People Sing of Chairman Hua — Ma Chang-yi p91

A Blanket in the Military Museum — Lin Chih-chang p96

Our Great Leader and His Close Comrades-in-Arms (sculpture) — Chou Chih-kui, Chen Kuei-lan, Yu Sung, Pan Hsi-jou, Fu Tien-chou and Cheng Yun-hsien p2-3

Chairman Mao Reascending Chingkangshan (woodcut) — Ma Cheng-chung and Chu Li-tsun p52-53

Art and Crafts p78-79

The True Story of Ah Q p3

Autumn in Tuanpowa — Kao Hsiao-chuan p52

Autumn Song — Kao Hsiao-chuan p57

Learn from Lu Hsun's Tenacity in Fighting and Forging Ahead — Chou Chien-jen p61

How Our Revolutionary Operas and Ballets Were Produced — Wan Kung p66

His Songs Will Live On — Yang Kuang-man p73

National Art Exhibition — Chi Cheng p79

The "Wagon Opera Troupe" — Chung Shu p83

Chiang Ching's Treachery in the Criticism of "Water Margin" — Chung Ya-erh p89

Lu Hsun with Young Writers and Artists (woodcut) — Chao Jui-chin and Wu Yang-kang p60-61

National Art Exhibition p78-79

Heartfelt Longing — Hua Shih p3

My Visits to Riverside Pavilion — Ho Wei p10

Reminiscences Concerning Millet — Tsao Ching-hua p15

Chairman Hua’s Concern for the People — Chu Ching p20

“Uncle Hua” — Lin Hui-ying p35

A Snowy Night Deep in the Mountains — Sung Sheng-fa p41

The Cave Hospital — Yueh Wen p45

A Guerrilla Contingent — An Yu p56

Seven Poems — Chen Yi p68

The “Gang of Four’s” Revisionist Line in Literature and Art — Hua Wen-ying p88

The Truth Behind the “Gang of Four’s” Criticism of the Confucians and Glorification of the Legalists — Shih Kao p97

The Oil Painting “Chairman Mao with the Anyuan Miners” — Chi Cheng p105

“The People’s Singer Li Yu-yuan” — Wang Wei-cheng p108

Chairman Mao with the Anyuan Miners (oil painting) – Hou Yi-min p14-15

Chairman Hua's Concern Warms Ten Thousand Households (charcoal) – Kuo Huai-jen p34-35

Chen Yi Battling on the Lohsiao Mountains (oil painting) – Chiu Jui-min, Sun Jen and Hsiao Feng p44-45

The People's Singer Li Yu-yuan (traditional Chinese painting) – Han Kuo-chen p96-97

Spring in the Yenan Date Orchard (traditional Chinese painting) – Fang Chi-chung p104-105

About the Play “Maple Bay” — Chi Ko p89

On Reading Comrade Chu Teh’s Poems — Hsieh Mien p95

The “Gang of Four’s” Reactionary Approach to Our Cultural Heritage — Lin Ming-chih p101

Loushan Pass (oil painting) — Shen Yao-yi p2–3

We Sing of Chairman Hua (woodblock print) — Chiang Tieh-feng p74–75

Mountain Flowers in Full Bloom (traditional Chinese painting) — Ho Chun-yang and Sun Chi-feng p88–89

A Little Eighth Route Army Soldier (lithograph) — Sun Tzu-hui p94–95

This Auntie Is Fine (woodcut) — Huang Hui-yi and Mo Ko-chieh p100–101

Literature of a Revolutionary Period — Lu Hsun p3

Sunflower — Hua Kuang-yao p10

Poem — to the tune of Man Chiang Hung — Mao Tun p28

Happy News Brought by the Rainbow — Radgae Basang p30

When the Fifth Volume Came to Our Grassland — Gasang Cedan p32

Spring Comes Early to Our Village — Mudi and Wang Jan p34

Ode to the Locomotive — Chen Chi-kuang p36

Spring Rain — Liu Cheng-tai p45

The Story of a Ballad-Singer — Teh Yung p49

Before Returning to China — Li Kun p54

Reading Lu Hsun’s “Literature of a Revolutionary Period” — Sun Yu-shih p85

An Unforgettable Night in Yenan — Huang Kang p91

My Recollection of the Production and First Performances of “The White-Haired Girl” — Chang Keng p99

Two Anthologies of Poems by Taching Workers — Wu Chao-chiang p106

Chairman Mao (sculpture) — Sun Hsin-chou p48-49

Chairman Mao in His Study (woodcut) — Chang Chiang p64-65

Aiwan Pavilion (traditional Chinese painting) — Li Ko-jan p80-81

Wang Chin-hsi, Hero of Taching Oilfield (woodcut) — Chao Tsung-tsao p88-89

Our Mountains Transformed (traditional Chinese painting) — Teng Yao-ping p98-99

Chairman Mao Brings Spring Sunshine to Our Hearts p84

The Liberated Serfs Love Chairman Hua p85

The Old Company Commander and the New Battalion Commander — Wang Yao-tung p87

The Scattered Beans — Hung Hsia p90

Devoted Hearts Wing Their Way to Peking — Ku Kung p99

In Praise of the Taching Spirit — Yang Tung-mei p106

A Grand Display of Revolutionary Art — Li Shu-shung and Shao Te-chen p111

Woodcuts in China’s Old Liberated Areas — Hua Hsia p115

Works from the Art Exhibition Commemorating the p35

th Anniversary of the Publication of Chairman Mao’s “Talks at the Yenan Forum on Literature and Art” p98-99

Following His Footprints — Wang Yuan-chien p11

Stick to the Revolutionary Standard — Wang Yuan-chien p17

The Eighth Routers' Hut — Wei Chin-yung p22

A Would-Be Little Red Soldier — Tien Ting p39

Some Outstanding Sculptures — Fu Tien-chou p114

The Film "Oh, My Motherland!" — Su Yuan p116

Tientsin Song and Dance Ensemble Visits Japan — Hsin Hua p122

A Scene on the Lichiang River (traditional Chinese painting) — Pai Hsueh-shih p16-17

South of the Yangtse (traditional Chinese painting) — Chien Sung-yen p32-33

Comrade Tung Pi-wu (oil painting) p64-65

Sculptures p114-115

Erh-pao and the Chen Family — Shu Ping p3

Two Comrades — Miao Lin p19

The Leather Girth — Wang Yuan-chien p29

In Memory of Wei Su-yuan p36