Why octopuses are good at archaeology and Yonsama is the son of God

A brief news round-up. I meant to blog on the story of the octopus that ‘discovered’ a treasure trove of twelfth century pottery off the coast of Korea when it first hit the headlines a couple of months back. Now it seems that the acquisitive cephalopod’s find was considerably more spectacular than first thought and some 10,000 pieces of celadon pottery await excavation from the site. There is a bit more detail in another article on the find in the Hankyoreh, which informs us that the ship carrying the pottery was probably on its way from kilns in Kangjin in Cholla Province to Kaesong, capital of Koryo, when it sunk over 700 years ago.

Meanwhile, on my other favourite subject – historical TV dramas – I see that Bae Yong-jun’s new opus on the life of King Kwanggaeto, ‘Taewang sasin’gi’, will finally be hitting Korean TV screens this autumn. With great modesty Bae (AKA ‘Yonsama’) will be playing Jumong, founder of the Koguryo kingdom, King Kwanggaeto himself and the son of God (no, not that son of God, but rather Hwanung, father of Tan’gun). I wonder how a drama aimed at rectifying China’s mistaken attitude toward Korean history will play in Japan, where anything involving Yonsama seems to be marketed heavily.

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