Happy Birthday New Policies!

2009 marks the 100th anniversary of the New Policies (新政) reforms of the late Qing. Well, not really. The Late Qing reforms are increasingly seen as more important even than the Revolution of 1911 in creating a new China. A modern government with modern departments was set up, there was a budget, modern schools were built, etc. The began sometime after the Boxer uprising of 1900 and lasted till 1911. The Revolutionaries found themselves taking over a much more modern Chinese state than had existed a decade before.  1909 is actually a little late as a date, but I am using it here because it seems like all the major libraries in China are celebrating. I was at the conference for the National Library in Beijing’s 100th. It was a big deal. Mei Baojiu performed and I got to see him. Then I come to Shaanxi and the Provincial library is also having its 100th. This was a bit annoying, since they were setting off fireworks outside the reading room and I wanted to stick my head out the window and yell “This is a library, darn it.” but I figured it would do no good. I assume people all over China are finding it hard to get any reading in as explosions and long-winded speeches interrupt the quiet. Both libraries of course started out as New Policies institutions. I’m not sure how it is with other cultural institutions, but Chinese universities are always very status conscious about how old they are, and people always ask when my university was founded and are quite impressed when I say 1875. That makes us older than Beida! Below are a couple of pictures of the gifts that Shaanxi library got on its birthday. I particularly  like the boat Qingdao sent.

Swag2

Swag1

Teaching Confucianism

Guess who’s in Bejing! Well, not me anymore since I just left1 I snuck away from my conference for a bit to go to the Confucian temple and the Yonghe temple, neither of which I had seen in years. Yonghe is still pretty much the same, although 15 years ago there were not so many stores clustered around it selling incense and Buddhist tcotchkes. Actually, I think 15 years ago there were basically none, and now there are zillions of them. The Confucian temple and the adjacent Imperial University were more interesting however. Last time I was here they were pretty sparse, and there were not many people there. There were still not many people. Confucian temples are always nice and quiet, and a nice place to look at old trees. The exhibits had been updated, however, and there was a lot of stuff on Confucianism and its role in Chinese society. Since I like public history it was interesting to me, especially since most Chinese my age would have gotten no Confucianism at all in school, so it was cool to see this attempt to retro-fit it into the visitors. As you might expect, Confucianism was not really shown as developing, it was just created and remained unchanging, and the ascribed the ideas of a lot of later Confucians, or just Chinese customs, to the Big C. Confucianism was the essence of Chinese society, and still is (Which was not what they would have said 15 years ago) and Confucius inspired both the scientific method and the industrial revolution. Like most of these “”5000 years of culture Hooray!” things it was pretty overdone, but still very professional and detailed. They are getting pretty good at this.

In the University they had an exhibit of sorts on the Qianlong emperor’s lectures to his officials, which happened here. You may not have know that Qianlong was actually a teacher. Here is his office door.

His office

His desk

One of his classes.

Hmm. Seems a bit ornate for a Faculty member. Of course, Qianlong was really an Administrator, so I guess even if he did give the occasional lecture you might expect him to be a little better taken care of than the average temp. One thing I wondered about was if these lectures were a Qianlong innovation. I don’t think I have read anything about them, and I have read that Chinese emperors were quite different from Early Modern European monarchs, in that the Europeans were constantly on display and performing ritually in front of the ‘public’ (mostly the court). Chinese emperors were supposedly far less in the public eye, and these lectures would seem to be something that would tie in with the Southern Tours and other aspects of Qing imperial performance. Maybe I will check Zito when I get home.


  1. although I think there are still -some- people left in Beijing 

HNN, NYT Post Competing Japan Election Analysis

HNN has posted an extended version of the Soft and Fuzzy history I posted a few days ago. What I’ve added, for the general readership, is more background on the LDP:

The survival of the LDP as the dominant party in Japan for so many post-war decades was a combination of historical luck, savvy leadership, and the cooptation of successful minor party issues. The collapse of the LDP was a combination of historical misfortune, a leadership vacuum, and the realignment of minor parties to create a viable alternative.

The rise and fall of the Yoshida Doctrine and the factional nature of the ’55 System LDP are at the center of the argument.

Meanwhile, the NYT has a Philip Underwood piece explaining how “In Japan, by contrast, failure traditionally carries a deeper stigma, an enduring shame that limits the appetite for risk, in the view of many of the nation’s cultural observers. This makes the Japanese far less comfortable with choices that increase the prospect of failure, even if they promise greater potential gains.” Ugh.

Recipe for a New Japan? A Dash of Venus

The recent victory of the Democratic Party of Japan (DPJ) in the Lower House, just two years after its surprise victory in the Upper House, is only slightly less exciting than the news that the new First Lady of Japan has traveled, in an out-of-body experience, to the planet Venus. This unusual turn of affairs, predicted by authors such as Edgar Rice Burroughs, H. P. Lovecraft, Robert Heinlein, C. S. Lewis, Frederick Pohl, Isaac Asimov, and Paul Anderson, will not, we can only hope, influence Japan’s foreign affairs in the years ahead. Critics allege that Hatoyama Miyuki’s claim is nothing more than a stunt in which she hopes to attain the high-standing of American political wives like Nancy Reagan, who of course is a devout believer in Astrology, or even former president Jimmy Carter, who saw a UFO while Governor of Georgia (pdf). At the very least she is as “interesting” a figure in politics as Carla Bruni or Sarah Palin. And we shouldn’t let her oddities distract us from the very real and significant participation of women politicians in the DPJ strategy of attacking LDP strongholds. In the end, 54 women won seats in the Lower House.

The DPJ emerged from the late-night 1998 union, no doubt fueled by many Suntory whiskies, of the Democratic Reform Party, the New Fraternity Party, the Democratic Party, and the Good Governance Party. (Why didn’t they go with the much more compelling English name “The Good Fraternity Party”? Now that’s a name American politicians could understand.)

The leader of the DPJ in its period of frenetic activity between 2006 and May of 2009  was Ozawa Ichiro. Elected to the presidency of his party as a reformer, Ozawa was in fact first elected to office as a member of the LDP in 1969. His mentor was Tanaka Kakuei, who became Prime Minister in 1972 on a wave of overwhelming popularity but then was implicated in numerous scandals within a year of taking office. Ozawa survived this crisis and became LDP Secretary General in 1989. As recently as 1999, he was still closely aligned with the leaders of the LDP. This experience proved valuable. More than any member of the DPJ, Ozawa can be credited with the party’s rise, and although he stepped down in May because of allegations of scandal (surprise!), he was a central figure in the election strategy that knocked the LDP out of power for just the second time since the 50s, and will likely assume the new post of Secretary General.

The current leader of the DPJ and the new Prime Minister of Japan (as well as the lucky husband of one of the few women to visit Venus. Venus! Imagine!) is Hatoyama Yukio. Following in the proud, reformist tradition established by Koizumi Jun’ichiro, Hatoyama has awesome hair. Like many graduates of Stanford University (Ph.D. 1976), Hatoyama comes from humble origins: his great-grandfather was Speaker of the House and President of Waseda University; his grandfather was Prime Minister; his father was Foreign Minister; and his mother is considered to be one of the most influential political donors in Japan. (The family even has an English-language scholarly monograph dedicated to them; it’s available on KINDLE!) Hatoyama was only with the LDP for seven years from 1986 to 1993, giving him slightly better credentials as a reformist than Ozawa.

The DPJ has a lot to do. Their new Prime Minister, nicknamed “the Alien” by parliamentary colleagues for his protruding eyes and Stanford-like behavior, needs to answer the question: If women are from Venus, are men in fact from Mars? Will the DPJ adopt an increasingly belligerent tone toward North Korea, Japan’s most urgent international threat? Will Hatoyama champion environmental issues despite American recalcitrance? Will the new government revisit the issue of Article 9 in the constitution or spend its valuable political capital on continuing economic recovery instead? And will Japan establish a consulate on the second planet from the sun in the near future?

People inside and outside of Japan are genuinely excited to see if the DPJ will successfully reform the nation’s political system, shaped by decades of one-party dominance and widespread corruption. Or will the rule of Hatoyama, like the brief period of coalition rule in the 1990s, be nothing but a fleeting, out-of-body experience?

(Thanks to my former student Mathew Mikuni, a Diplomacy and World Affairs and Asian Studies double major who, in a marvelous 2009 senior thesis, taught me everything I know about the DPJ. Except for the inaccurate, snarky, and hypothetical stuff.)

World War Wannabee: Russo-Japanese War?

Brett Holman notes a new contender in the “really First World War” sweepstakes — the Seven Years War and Napoleonic Wars being leading early contenders — namely The Russo-Japanese War. John Steinberg, editor of the two-volume The Russo-Japanese War in Global Perspective: World War Zero offers ten points of comparison that he seems to consder hallmarks of a world war:

1. Like World War I, the origins of the Russo-Japanese War were rooted in imperialistic competition between world powers

2. As in August 1914, when the Russo-Japanese conflict began, it was fought in a neutral country(s) (China and Korea)

3. In the midst of the conflict and in the area where combat occurred, governmental structures broke down and the emergency was greeted with a response by non-governmental agencies such as the Red Cross

4. The conflict was marked by the use of sophisticated, complicated, and (above all else) lethal industrial weapons such as machine guns, rapid fire infantry assault weapons, rapid fire artillery, mines, and torpedoes. These were accompanied by the logistical infrastructure needed to keep ammunition and other essential supplies flowing to modern fielded armies

5. The natural product of the War’s deadly battlefields — mass casualties — required levels of aid which no medical corps of the period had the ability to help. The sheer numbers of men in need of aid overwhelmed these units.

6. The duration of battles at the beginning of the War lasted two or three days (The Yalu and Nanshan) and were contained to relatively small areas. By the end of the war the battles of Liaoyang and Mukden lasted weeks and featured battlefields that extended for kilometers. [NB: In terms of duration and brutality, the six to seven-month siege of Port Arthur foreshadowed what later happened at Verdun in 1916.]

7. The cost of fighting such a technologically demanding war required the formation of international syndicates of bankers simply to derive the credit needed for both the Japanese and Russians to keep purchasing and producing weapons and munitions.

8. Like WWI, the Russo-Japanese War was widely reported on and represented in all forms of visual presentations, from photographs to wood block prints.

9. Like Versailles, the Treaty of Portsmouth occurred only after one belligerent (Japan) ran out of men, materials and credit, and the Russians found themselves in the midst of a Revolution. Perhaps more to the point, the treaty itself resolved little beyond ending hostilities and, worse, created circumstances that fueled grievances that culminated in future conflict.

10. When the war concluded and the peace was signed the strengthening of the pan-Asian movement continued to fuel animosities that further destabilized the world.

My immediate reaction, like Brett, is that this is list of similarities, which is interesting, but that they are aspects of modern warfare rather than a description of the kind of global cataclysmic or transformative event that would justify the “world war” moniker. You could say that it was a sort of regional prototype for the war, but you could say that about just about any conflict after the Franco-Prussian war, including the Spanish-American war (which probably ought to go on the “World War Wannabee” list, as a bi-oceanic, imperial conflict); one of Steinberg’s co-bloggers notes that the Russo-Turkish war fits all those criteria, but that still doesn’t qualify it as a “World War,” just a nasty imperialistic conflict.

Most of these points are weak comparisons, I think, but arguable: the idea (point 2) that the natural battleground for a World War is neutral nations’ territories, for example, ignores the difference between truly “neutral” and “in the sphere of influence”/colony which really defines the initial (and for the R-J war, only) battlegrounds of imperialist wars. The last point perplexes me thoroughly: while there certainly is an upsurge in anti-Japanese (and generally anti-Imperial) nationalism in China and Korea after the R-J War, to describe this as “pan-Asian sentiment” seems wrong. If he’s arguing that Japan’s success leads to an upsurge of pan-Asianism in Japan, that’s more reasonable, but to describe it as a “movement” and to place the blame for Asia’s early 20th century destabilization on that rather than continued imperialistic pressures (for which pan-Asianism was a fig leaf of rationalization, nothing more) is overblown.

Soft and Fuzzy Historic Events

Ton-Chan DollLast time I lived in Japan, the LDP lost control of the Diet, and for a year and a half there was a Socialist Prime Minister in charge of an implausible coalition between the Japanese Socialist Party (JSP) and the Liberal Democratic Party (LDP). The Democratic Party of Japan, which just took control of the lower house of the Diet, was formed in the aftermath of that coalition: the more liberal elements of the LDP combined with the more moderate elements of the JSP.1 This left a more conservative LDP and a more Socialist SDP, and also, as a side effect, left the LDP again in charge of the government, in coalition with the Komeito and other conservative groups. Another side effect: the bushy eyebrows and grandfatherly face of Murayama Tomiichi were immortalized in the “Ton-chan” dolls sold by the JSP; I bought one, thinking that this might be “historic.”2

You could hardly tell from the news reports coming out of Japan at the moment.3 I suppose that I’m not surprised by the lack of respect given to the mid-90s political turmoil: it was inconclusive and sloppy, not the kind of clear-cut “historic” event that makes for banner headlines. But what came out of it was an LDP that was, honestly, destined to fail: instead of representing the middle two-thirds of the Japanese political spectrum, it represented a heavily right-oriented one-third, while the DPJ took a big chunk of what was left. Essentially, the LDP split, probably the natural end to a party that was a coalition to begin with, formed out of a Cold War fear that Japan’s leftist parties might put aside their differences long enough to win control of the Diet. While it took a few elections, and another decade of disappointing economic stagnation, the left wing of the former LDP has overtaken the right wing of the former LDP, and a former member of the LDP is going to be Prime Minister.4

Is this “historic“? Well, it depends, of course. If the DP turns out to be more or less just like the LDP, then it’s no more historic than Pepsi™ overtaking Coca-Cola™. If the DP turns out to be a genuinely center-left party which reduces international entanglements while successfully fostering economic development, it could actually be a revival of the Yoshida Doctrine. That might actually be interesting, especially since it could mean a shift away from the normalization discourses we’ve been hearing so much of. I guess it’s a bit too soon to write the new narrative.


  1. This is a rough approximation. The faction politics of the LDP did not neatly divide along ideological lines, but some sense of policy alignment was starting to become clearer when the split happened  

  2. Actually, I bought two: one for me and one for my parents.  

  3. I want to thank Adam Richards for his tireless political blogging during this election, possibly the best reportage in English this time around.  

  4. I don’t think anyone’s going to make plush toys out of Hatoyama Yukio, though he’d make a credible daruma.  

Samurai Exhibit Pwned

The Asian Art Museum of San Francisco has been targeted by an anonymous artistic and political intervention that parodies the current Lords of the Samurai exhibition with a well designed website and a series of pamphlets distributed in San Francisco. The website is worth exploring, and becomes particularly interesting when paired with an interview with the anonymous critics on the 8Asians website.

Many in the museum world will feel that the parody is entirely unfair. The museum is a non-profit organization dedicated to education, and museum staff include many of Asian heritage as well as many respected scholars who have advanced degrees in Asian art history. In addition, some recent exhibitions at the museum have attempted to deal (not always very explicitly) with the history of Orientalism, such as the recent one on photographs of Asia, particularly South Asia.

One might also respond that at present museum exhibitions are not subject to the same kinds of peer review and scholarly criticism that help improve other forms of educational production. Other than the occasional newspaper review of a blockbuster exhibition, and the odd blog post by a volunteer scholar/critic, exhibitions and their catalogs rarely receive the kind of critical attention that they deserve. I have long argued that museums are probably the most important scholarly site in the world we live in for mass education about other nations and cultures. (TV and films reach more people, but are usually less grounded in scholarship and have less of a veneer of objectivity and authenticity.) A good specialty academic monograph might sell a few thousand copies. Many copies will go to academic libraries, where they might be read by multiple generations of students (we hope!). A big museum exhibition, on the other hand, might draw in 10s or even 100s of thousands of visitors. The AAMSF’s 2007 exhibition “Yoshitoshi’s Strange Tales,” for example, attracted almost 80,000 visitors, or approximately 931 per day according to The Art Newspaper‘s “Exhibition Attendance Figures,” 189 (March 2008) . Bigger Asian art exhibitions, such as the Freer Gallery of Art’s exhibition “East of Eden: Gardens in Asian Art” brought in well more than 200,000 visitors.

Most museum professionals are entirely aware of the incredible responsibility they have in putting on exhibitions that often substitute for a nation’s entire history. Curators know that visitors might feel that having visited a show on the samurai, they have in effect visited Japan itself. This is the wonderful power and also the great danger of the museum; it reduces social and cultural complexity, not to mention historical variation and diversity, to a few beautiful objects.

Topics like the samurai and the geisha are certainly valid subjects for museum exhibitions, and in these difficult financial times, must be attractive themes as guarantees of significant visitor traffic. But why not call attention to the problematic mythologization of these figures, as the Pacific Asia Museum’s 2009 exhibition “The Samurai Re-Imagined: From Ukiyo-e to Anime” did? Why not, as the parody of AAMSF’s exhibition suggests, pay attention to less well known aspects of samurai culture and history, whether that be sexuality, the reality of war, Japanese aggression in Korea, or modern wartime appropriations of the samurai image? Or why not, as the interview suggestions, highlight the more nuanced scholarship of Tom Conlon or Hal Bolitho instead of the work of Thomas Cleary? These are valid and important questions, and the controversy illustrates the need for more scholarly and critical attention to the politics of display of Japanese art.

Once more, dear friends, into the breach….

Korea Center PavilionIn my first post here I said that I was going to be teaching a Korean history course for the first time: I lied. Or rather, I was scheduled to teach it, but the course didn’t make its minimum enrollment. However, the time has come to try again.

The last time I did this, I was going to focus it on upper-level undergrads and make it as much about primary sources as possible. The only four books I’d ordered were Korea Old and New: A History (Eckert, Lee, Lew, Robinson, Wagner), The Columbia Anthology of Traditional Korean Poetry, and the two volumes of the new Sources of Korean Tradition from Columbia.1 Ambitious and, apparently, off-putting in the extreme.

I’m torn, really, on the question of whether to teach a “Rice Paddies” style course — all of Korean history in a single semester — or break it up (as I have my China and Japan courses) into pre/post 1700 (and start with the later one, which should draw more students at first). If I teach the whole history, I might well keep the poetry — I do poetry in my China and Japan courses, and the Korean stuff is lively and diverse — but I can’t see using the Sources sets as-is. This time I want to pitch the course much more broadly, and draw in some of the business and language students — Koreans actually make up one of our largest groups of foreign students, and our business department has a long-standing interest in Korea — so that the course really does reach critical mass. So I’m thinking that the heavy dose of Columbia primary materials is probably not a great idea. That said, I prefer to have students read primary materials as much as possible, or ethnographic-style observations, or historical scholarship which evokes a clear and detailed recreation of a moment or era.

I’d love to hear thoughts from our readers about what works and what doesn’t, what’s come out recently that’s good for students, and especially if there are better textbooks at this point.

Update: I just ran across Kenneth Robinson’s Korean History Bibliography, which looks like a great starting place.


  1. Vol. 1: From Early Times Through the Sixteenth Century ; Vol. 2: From the Sixteenth to the Twentieth Centuries  

China, where totalitarianism works

Daniel Drezner has been watching the coverage of the current show trials in Iran, and points out that they are not working very well in cowing the population, and suggests that in the television age show trials do not work, as it is harder to control the images that people get of the trials. He asks “can show trials ever cement an authoritarian government’s legitimacy?” In comments someone suggests the trials of the Gang of Four, which I think is an interesting idea.

The trials of the Gang of Four were seen on film by Chinese people, although not on television by most I would assume. I think the real difference  is that the medium is not really the message here. Stalin, I believe, did not broadcast his entire show trials on radio, but rather news items about them (or so I assume). Likewise Chinese people (I assume) saw the trials as heavily edited newsreels. The trials themselves did run off track a bit, most famously when Jiang Qing, who was being accused of plotting the Cultural Revolution without Mao’s knowledge said that she was “Chairman Mao’s dog, whoever he said to bite I bit.” (我是主席的一条狗,主席要我咬谁就咬谁) Chinese people, of course, did not hear this. I don’t think the problem is so much video vs. audio but the sheer bulk of what you want to show people.  A trial is a major thing with hours and hours of testimony. Stage managing a huge reality show like that is hard, particularly when you are not trying to generate sympathy for the accused, given that the trial itself is set up to make the accuesed look helpless before the power of the state.

Even more important than medium, however, is context. I assume Stalin’s show trials were effective in convincing people that they really, really did not what to get on Stalin’s bad side, but they were only one of many things that did this. The trials of the Gang of Four were intended (I think) to convince Chinese people that the CR was really over and to shift blame from Mao and the CCP as a whole to the safely dead or imprisioned. They did this, but the trials, which started in 1980, were the end rather than the beginning of this effort.

1977 Poster criticizing Gang of Four. From Stepan Landsberger
1977 poster criticizing Gang of Four. From Stepan Landsberger

The Iranian trials seem to be isolated attempts to convince the Iranian people that the protesters were bad people and that the state is still in control. I don’t think show trials alone can do that, but they are a useful part of authoritarian political theater if used properly.

Electricity, Infrastucture: “Reconstruction”

Pacific Bechtel constructs thermal plant in Masan, mid-1950s, USIS image.
This image comes from a USIS publcity shot taken at Masan in the mid-  1950’s, detailing the work of electrical restoration undertaken prior to,  during, and in the aftermath of the Korean War.   A couple of quick  observations:

(1) The man responsible for putting together a pre-war group (with ECA  funding) looking into the problem, Walker L. Cisler, had also helped  restore the electrical grids of various European nations in conjunction  with the Marshall Plan.  With his connections to Eisenhower, Cisler would pop up again in the mid-1950’s (Summer 1956), this time trying to market the Fermi breeder reactor to South Korea.

(2) The electrical capacity of the South after the “cut-off” of May 1948 by the North was extremely low, as the mid-1950’s restoration work undertaken by Pacific Bechtel allegedly doubled the ROK’s capacity.

(3) The persistence of older models would continue in state  planning well into the late 1950’s, with both hydroelectric (along the Han) and tidal plants investigated as possible options, before settling on primarily thermal plants in the mid and late 1950’s.

All of this goes towards a simple point, that the disentanglement of infrastructure between North and South, a complicated issue in the 1945-1948 period, would continue into the post-war era.  The South would not resolve its electricity shortages until the 1970’s with the availability of commerical electricity from the first nuclear plant.

I would love to know more about the South in terms of the necessary engineering expertise to run this kind of plant (above), and as for the northern case, Aaron S. Moore (ASU) is currently working on Japanese engineers in Manchuria and the North, looking at how they re-invent themselves as development specialists after 1945.

I recongize that none of this pertains directly to the previous two posts, but I think the passing of Kim DaeJung and the North’s presence at his funeral fits with this brief look at the electrical issue, thereby anticipating the nuclear issue.

Japanese Publications on Colonial Bureaucracy

I would like to introduce two recent publications on colonial bureaucrats here. One is Okamoto Makiko, Shokuminchi kanryô no seijishi (岡本真希子『植民地官僚の政治史:朝鮮・台湾総督府と帝国日本』, Politics of Colonial Bureaucrats)Sangensha, 2008, and the other is Ôtomo Masako, Teikoku Nihon no shokuminchi shakai jigyô seisaku kenkyû (大友昌子『帝国日本の植民地社会事業政策研究』, A Study of Colonial Social Work Policies of Imperial Japan)Minerva, 2007. Their works are both impressive in the scope of research and their ability to compare the nitty-gritty of colonial rule in Taiwan and Korea. From research of Sheldon Garon and many others, Japan’s historians all learned that government officials, especially those in the famous Home Ministry played a huge role in promoting social reforms and modernization and that their power permeated many aspects of people’s everyday life. There is no reason to believe that it was very different in the colonies. Despite the reasonable guess about the role of colonial bureaucrats, we did not have a good grasp of basic facts about them until these publications came out.

There is so much information in Okamoto’s thick volume and I would highly recommend that anyone who studies anything about colonial Korea/Taiwan use this as a reference book. Okamoto did an excellent job in departing from the concentration, in previous scholarship, on personal networks (“who knew whom” etc.) and focused instead on the system, laws, and principles that regulated the flows of people. I learned so much about the differences of status between the Government-General in Korea and the Government-General in Taiwan — e.g. By 1919 when the Cultural Policy was implemented, there was a wide consensus among Japanese politicians on the fact that the GGK had already established a semi-independent status unlike the GGT and the other colonies. The GGK and the GGT also diverged in the recruitment of local populations into the colonial bureaucracy. While the number of Korean officials increased, that of Taiwanese officials remained extremely low. Okamoto also elaborates upon how the GGK operated (or at least tried to operate) independently from the Japanese home government in many different ways. Her elaboration on how the quickly changing political climates in Japan influenced the top personnel in the GGK and GGT, changing the relationships between the Japanese government and colonial bureaucracy, is also impressive.  We still have a long way to go in dissecting the work of colonial bureaucracies. But with her work, we can finally refer to the Government-General with more pluristic terms — as a group of people, rather than one monster-like control machine.

Ôtomo’s work on colonial social work probably enjoys a little more limited audience. Her empiricism is striking and it is quite refreshing to read details of social welfare laws and programs without once mentioning Foucauldian governmentality. Her main argument is to show how the colonial officials tried to regulate modernization in the colonies (「抑制された近代化」). That itself is not eye-opening but what interested me was how similar the social work techniques were between the colonies and Japan — the use of “方面委員 (district commissioner)” programs, the emphasis on moral suasion (教化)and local improvement, for example. Ôtomo tries to define “modernization” in a scientifically measurable way (the “levels” of labor policy, poverty, economic security etc), but her work more interestingly demonstrates how colonial officials defined “the direction” of modernization.

Adjusting to the new narrative

My China-side colleague, Alan Baumler, noted that China seems to have supplanted Japan as the go-to model for economic development. This has, he says, required him to alter his own attitude towards Chinese history, which never really had much of a triumphal arc before. He says, though

Well, the Japan people seem to have adjusted to going from an Asian Anomaly to a model for humanity and back, so I guess we can.

My response was

Actually, Japan’s gone 180 degrees and has become a negative example for demographic, financial and rights development. Between the “aging Japan”, “Lost Decade” and rising tide of neo-nationalism….. we need a new narrative, too.

The last few times I’ve taught my Japan course that comes up to the present, I’ve used Bumiller’s book, but that one comes just at the beginning of the economic stagnation, and is now approaching 20 years old. I haven’t seen much that I’d like to use to replace it, either literature or ethnography. There’s Japan After Japan, but it seems like the kind of stuff I’d have to spend more time explaining and excusing than making good use of. I’m tempted to shift in the direction of global diaspora or something on the globalization of Japanese culture, but both of those seem a bit like avoiding the question.

What’s the new narrative? Have the economic slowdown, normalization, and globalization affected the way you present the post-war arc, or are the last two decades a distinct period?

Reflecting on “Giants”

Todd Crowell reports that Kim Dae Jung is seriously ill and reflects on his life and career as a “Giant of [Asian] Democracy”

For Kim achieving the presidency was the culmination of a lifelong struggle. After two unsuccessful attempts, he won his first seat in parliament in 1961, only to find the National Assembly building surrounded by tanks in the military coup that brought Park Chung Hee to power three days later. In 1971 he made the first of four bids for president — running against Park himself.

He engendered Park’s undying enmity by winning as much as 46 per cent of the vote. In that first presidential campaign he was hit by a car, perhaps deliberately, and suffered an injury that made him walk with a shuffle for the rest of his life.

In 1973 he was abducted by agents of the Korea Central Intelligence Agency (KCIA) in Japan and brought back to South Korea forcefully. His political rights were restored shortly only after Park’s assassination in 1979. A year later Kim was accused of treason after students and residents of the southwestern city of Kwangju rose in a bloody insurrection.

In all, Kim spent five years in prison, seven under house arrests and two years in exile in the United States. Returning to Korea in 1985, he and his supporters had Aquino’s assassination two years previously strongly in mind. A couple of U.S. congressmen accompanied him to discourage any “copy cat” killings.

In the 1997 election Kim Dae Jung proved he was not only courageous but could also be shrewd, practical, even ruthless when he had to be. His comeback, which marked the first peaceful transfer of power from a ruling to an opposition party in South Korea’s history, was a masterpiece of political manipulation.

He made an alliance of convenience with the conservative Kim Jong Pil, the very man who had masterminded the coup that prevented him from taking his assembly seat more than 30 years before and the founder of the KCIA, the agency that had tried to kidnap him.

He leaked allegations that the sons of his main opponent, Lee Hoi Chang, had avoided military service. These revelations, damaging enough to Lee, encouraged the ambitious mayor of Inchon, Rhee In Je, to enter the race, thus splitting the conservative vote and allowing Kim to squeak into power with about 40 percent of the vote.

As president, Kim Dae Jung showed toughness in getting his way with the legislature and Korea’s large business conglomerates, but he also steadfastly held to his vision of reconciliation with North Korea, known as his “sunshine policy.” He was rewarded with the Nobel Prize for Peace for his summit meeting with Kim Jong Il in Pyongyang in 2000.

Some of the luster went off of that achievement when it was later revealed that he had arranged with several large business conglomerates to bribe the North with about $500 million in cash to hold the meeting in Pyongyang. There was personal sadness two when his two sons were accused of corruption.

These days the sun does not shine so brightly on the sunshine policy. A cold wind continues to blow from Pyongyang. The election of conservative Lee Myung Bak as president (another peaceful change of power) reflected growing disillusion in South Korea. Still elements, such as the Kaesong industrial zone across the Demilitarized Zone, remain in place.

I would emphasize something of that last paragraph: the second peaceful transition of power marks a significant step in the creation of a procedurally sound democracy and should be considered a triumph rather than merely a defeat. And the short-term failure of the “Sunshine policy” — and the need to bribe the North Koreans — I’ve always felt that more bribery, rather than less (see also) would produce better results, and I think Kim Dae Jung’s reputation will continue to rise rather than fall as things progress.

Cultural and Physical History Mystery

Okinawa boats taken by T. Egami, 1898 Michelle Damian, who I met at ASPAC, has a new post up in her project journal with an intriguing mystery:

One type of vessel that has intrigued me is the massive yakatabune, boats used for pleasure gatherings on the river. They have a solid superstructure with heavy supporting posts and cross timbers, usually decorated with lanterns bearing the names of the restaurants that had dispatched them, and are often shown with smaller craft alongside used to ferry patrons or cook the food. … What is unusual, though, is the notch at the tip of the stempost. These vessels almost always have an extra protrusion at the end.

If the mystery ended there I could chalk it up to simply the convention for the yakatabune – perhaps just aesthetic, perhaps for whatever reason just an additional visual cue to the boat’s purpose. On a model of a similar ship in Tokyo’s maritime museum (Fune no Kagakukan), though, the stempost is apparently made of two separate pieces of wood scarfed together with a notch exactly like the tip of the stemposts in the prints. It is as though the boats shown in the prints had removed that extra piece of wood, leaving the uneven notch exposed. … If anyone has any thoughts or suggestions to help solve this mystery, I would be most grateful to hear them!

modern-yakatabune

Go to her project journal for the proper illustrations (the ones here are just some that I found on Flickr) and more detail.

My theory? I think the stem, because of its size, was removable. So when it might block the view of patrons, as in a fireworks-viewing trip, it was taken off the vessel, but when it was a pleasure cruise in which the patrons were more focused on the activity inside, it was left on for elegance.

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