[A version of this piece was published on Japan Focus (April 4, 2007)]
Baseball fans, lovers of a good fight, and those who are curious about how we go about understanding
Pretty heavy stuff – as the cliché has it, “life is a metaphor for baseball.” Peter C. Bjarkman’s essay “American Baseball Imperialism, Clashing National Cultures, and the Future of Samurai Besuboru” quickly makes the case for larger significance. [2] Looking at baseball in
Is the difference between the original Yankee baseball and the game in other counties the difference between the real thing and a knock off or between the narrowly conceived original and new versions creatively adapted? Is baseball franchised around the world like MacDonald’s? After all, “a Big Mac is a Big Mac is a Big Mac,” so isn’t baseball just baseball? The dispute over baseball in
Samurai Baseball vs. Baseball in Japan
On one side is Robert Whiting. His books are classics of sports writing and hugely influential. [3] His first book, The Chrysanthemum and the Bat (1977) begins by stating that Japanese baseball “appears to be the same game played in the
The Japanese view of life, stressing group identity, cooperation, hard work, respect for age, seniority and “face” has permeated almost every aspect of the sport. Americans who come to play in
Whiting goes on to describe the game as “outdoor kabuki” rather than an athletic competition, for in a most un-American way, the game can end in a tie. The chapter “Baseball Samurai Style,” illustrated with a photo of Sadharu Oh posing with a samurai sword, derives a “set of strict unwritten rules that might be called Samurai Code of Conduct for Baseball Players” which “has roots in Bushido, a warriors’ mode of behavior dating from the 13th century.” (p. 37) These rules show how Japanese national character differs from American. In
The good team is like a beautiful Japanese garden. Every tree, every rock, every blade of grass has its place. The smallest part ever so slightly out of place destroys the beauty of the whole…. When each player’s ego detaches itself and joins twenty five others to become one giant ego, something magical happens. All the efforts and sacrifices the players have made at last become worthwhile. For they are now a perfect functioning unit. (p. 67)
Whiting’s eye and effective style have insured that this way of framing the differences between American and Japanese ball has passed into media lore. [4] The 1994 documentary, “Baseball in
Because of its slow pace, baseball fits the Japanese character perfectly. The conservative play mirrors the Japanese conservative and deliberate approach to life. Managers and coaches view baseball as a tool to teach loyalty and moral discipline – the same type of loyalty and discipline feudal Japanese lords expected from their soldiers and subjects. This samurai discipline requires endless hours of training, self-denial, and an emphasis on spirituality. So goes the Japanese approach to baseball. [5]
But others frame matters differently. These include Yale anthropologist William Kelly. Kelly’s first book was on Tokugawa irrigation practices, so he knows feudal
In his Yale class lecture “Professional Baseball,” Kelly agrees that some professional baseball in
Why did baseball in
This summary does not do justice to Kelly’s detailed argument, but should show that he does not rely on “national character.” He charges that “national character” is misleading because it “essentializes a population,” that is, explains its actions in terms of fixed codes which govern everyone rather than history or political choices; applies ethnocentric standards of judgment; and homogenizes the varieties of everyday lives.
At the
Some critics, Whiting continued, objected to the appellation “samurai baseball” as too simplistic, but he replied that he did not claim that Japanese big leaguers wear top knots, carry swords, or commit seppuku: “samurai baseball” is just a metaphor. The metaphor may not be perfect, but “metaphor means resemblance, and so we must consider the ways in which it does fit.” The word “samurai” is used to highlight the “very real similarities and the grounding that the game has in budo or bugei, the martial arts of old, and its relationship to bushido with its lessons about dedication, self-perfection, submergence of ego and development of inner strength.” “Samurai baseball” does indeed reflect the Japanese national character since the lessons have been “passed down from generation to generation by fathers, teachers, coaches and, in adulthood, corporate bosses, right to the present day.”
National character studies can be abused, Whiting agrees, but denies implying that Japanese behavior is instinctive, unique or without internal contradictions. In the end, however, “to suggest that there is nothing different about the way that the average Japanese and average American see the world… is to deny reality and throw the baby out with the bathwater.” Whiting charges Kelly with believing that “there is nothing different about the way that the average Japanese and the average American sees the world.”



